I just don’t know what to say. There are a few approaches I could have taken for this review. I could have ranted about how an utter travesty like “Paint It Black” ever made it to air, I could have calmly tried to break down the material we were given and analyze where it all…
Summary: This episode was written by Ross-Leming and Buckner. The episode splits its focus between Crowley/Rowena and Sam/Dean.
Supernatural’s standalone episodes are at their best when grounded in reality.
I loved “The Things They Carried”. It was intense. Too gross for my liking, but still, intense. I owed you a BIG Threads article though, so you are not going to believe what I tried to do with this article. I don’t believe it myself.
Sammy’s going darkside, Sammy’s going darkside… No, you didn’t see it? Oh, there are clues. If you squint. Remember all the way back in “Supernatural” season three when Sam was frantic over saving Dean and ultimately couldn’t? Remember four months later in season four, after drowning his sorrows in booze for a chunk of the…
Summary: This episode was written by Jenny Klein and directed by John Badham. The episode features the return of Travis Aaron Wade as Cole in a Monster of the Week episode that also features the return of a season 6 monster, the Worms of Eve!
“What Is and What Should Never Be” is number 3 on my Top Ten of all Time Supernatural Episodes!
Drama, Drama, Drama! Let’s take a look at two very different perspectives on a very intriguing episode from the season six trick bag – Unforgiven.
We’re a couple weeks into hiatus now after the masterpiece of The Executioner’s Song and while there are hundreds of nuances available for analysis and examination in that episode, the pre-cursor Halt and Catch Fire offers a much calmer and arguably more classically formulated episode inspiring its own thoughts on later viewings as well.
If season five ended with loss and devastation, season six started with a bang and a brand new reality shift an entire year after overwhelming grief and destruction. Year Six brought family man Dean, the return of Sam and a whole new cast of characters in the Campbell clan. And that was all in the…
There is no doubt that Supernatural’s mid-season finale, “The Executioner’s Song” was a masterpiece. The script, acting, music, sets and direction all combined to create a stunning example of television artistry. The visual and cinematography choices that presented the characters’ conflict were masterfully woven into the story, yet they immeasurably added to the story’s impact.
We enter Hellatus with Dean having killed Cain, Crowley fighting with his mother and Cas and Sam worrying about Dean. Lets look back at lighter times an revisit “A Weekend at Bobby’s”!
