This seemingly silly episode about children’s imaginary friends was an emotional treasure. Can you imagine how the concept of Zanna sounded when it was first pitched in the writers’ room? “I have an idea for an episode where Sam and Dean hunt something that is stalking and killing a man/unicorn hybrid at a tea party, a mermaid in a back yard pool, and cuddly, chubby best friends, one of which plays a mean air guitar?” Yet it worked brilliantly. Outstanding character acting by Nate Torrence made Sully into the most trusted, sweetest, wisest friend anyone could ever ask for. Jared’s vulnerable portrayal of the battle scarred hero who needs reassurance before facing an unthinkable horror from his past pulled the audience even deeper into the enormity of Sam’s fear, and ultimate courage.

Jensen’s hilarious reactions to Dean’s incredulous skepticism grounded the whole scenario in just enough reality to make it believable. Everyone’s acting was superb, and an episode about children and zaniness and sincerity was fated as an absolutely perfect match for Richard Speight Jr’s directorial debut. It all started with the dialog, though. Great work by Jenny Klein. The innocence of the Zanna allowed poignantly powerful messages to be delivered with subtlety. Every week the "Threads" series focuses on key words within the story to discover characters’ intentions and plots’ secrets, so it is a thrill to examine the beauty of the dialog that filled “Just My Imagination”.
Traumatized Children and Their Families

Yet again, the 'monster' in "Just My Imagination" was a young girl bent on revenge for the harm done to her by her family. Lizzie, Sydney and now Reese all rehearsed the 'settling an old score' drama for Amara/Darkness. A central theme of several season 11 episodes has been the trauma experienced by children because of bad family situations. Rather than physical abuse, this week’s children suffered emotional abandonment from alcoholic mothers, best friends, or dispassionate or obsessed fathers. Sam summoned an imaginary friend to fill the void of being largely ignored or left alone by his father. Reese also resorted to solving her childhood trauma herself. When the real world couldn’t accept or help Reese cope with a tragedy cause by the supernatural world, she became obsessed with understanding what had happened to her. As with John, Reese’s glimpse at the supernatural ended in the death of a beloved family member. It isn’t a surprise then that her story echoed John Winchester’s story of obsession, pain, rage and revenge:
Reese: I always wondered if Sully was real, so I got obsessed with folklore. I studied abroad in Romania, and then I found out he's a Zanna.As with John, Reese became a self-taught hunter, devoting her entire life to tracking down and killing what hurt her. There was one significant difference, though: her “monster” didn’t deserve to die:
Sam: Zanna are good.
Reese: That's what the witch tried to tell me, too.
Sam: The witch?
Reese: She sold me a spell so that I'd be able to see these freaks. She gave me this [knife], too.
Finally, I can save other kids from these monsters.
Sully: I panicked when Audrey died, and I left you to deal with the pain.Several notable themes in this dialog:
Reese: So maybe I'll take something you love, Sully -- a real person….I'm still mad. I can't stop it. I'm just still so mad!

· Witchcraft - Who was the witch in Romania? Was it possibly Rowena? Even if not, it’s significant that the witch, or maybe witches in general, understand folklore. This particular one defended Zanna, so she sounds good and fair. She also had a spell that made the invisible visible, and a knife, which is now in the hands of the Winchesters, that can kill supernatural creatures. Sounds like witches may be powerful allies against the elusive Darkness.
· Good – Sam reintroduced the good versus evil theme that dominated season 10’s finale. Dean reinforced this distinction when he tried to get Reese to understand that Sully was not a “bad” monster.
· Freaks – I’m beginning to key in on this word. It was used a lot in “Thin Lizzie” and possibly “Plush” as well. Why are the stories making a point of ridiculing unusual people or habits?

· Unintentional Harm – Sully had a good heart and was doing his best to help the innocent, but weakened by his own pain (over Sam’s rejection and Sully’s perceived failure), he made a mistake that led to an unforeseen tragedy. When Reese confronted (both figuratively and literally) this “demon” who ruined her life, she found and gave forgiveness.

In “Plush”, Chester’s death was also unintentional, which led to dire consequences for his assailants and his sister. This week, Audrey (a name that is strikingly similar to Amara) was killed accidentally leading to years of unintended pain for her sister. Are we being told that some horrible misfortune happened between God and his sister which led to unintended pain for Amara? How will this play out for the ages-old obsession the Darkness has developed for He who injured her? Will she also forgive the one she has hated for so long?
Visions/The Cage
Can you imagine… being raised in the hunting life?Can you imagine…having visions of needing to go back to the site of a hundred years of torture?
Can you imagine…your brother believing God is telling him the answer lies with Lucifer?
“Just my Imagination” was about all of the things Sam has imagined in his life, and all of the things he’s allowed himself to think.

Sully to Sam: Ever think of …running away, from here, from all of this, the hunting life? Ever think…that maybe you wanna go to school? Make some friends? Sam, I want you to listen to me. You can be whatever you want to be. You’re not Dean, you’re not your Dad. You’re Sam, and Sam is so awesome.We all imagine our lives will turn out a certain way. Sam imagined a lot of things, and he even pursued and realized some of his dreams. He did run away (for a few days to Flagstaff). He did go to college (until Jessica was killed). He got a best friend (Sully, for a short time). Circumstances often dictate our lives more than our dreams do, though. Sam was trained to not run away from danger, an ingrained response that is surely affecting his consideration of going back to Hell, just as it did when he turned his back on other choices and joined the hunt for the very first time:
Sam: Can you imagine? Running away? My dad would kill me.
Sully: It’s your choice. It’s your life. I mean, it’s all up to you.
Young Sam: My dad just called. He changed his mind. He wants me to come with him. Finally! He thinks I'm ready. I have to catch the next bus to Milwaukee.
Sully: Are you sure this is what you want?
Young Sam: I’m a Winchester. I hunt monsters. Why would I want anything else?
Sully: Well, I-I'm not sure it's you…Listen, buddy, I'm just afraid you're going down a path you might be better off not going down.
Young Sam: Yeah, but I'm not afraid.
Sully: I know you're not. You're one of the bravest kids I know. It's just... This whole hunting thing, you know, it's not the only way. There are so many other ways. And you can find one, Sam. You can leave right now.
Young Sam: I don't want another way. I wanna be with my dad and -- and Dean.

Sully’s prophetic caution applies to both young and present day Sam. Everyone is afraid of Sam going down the path that he is imagining is being laid out for him in his visions. Sully told Sam that it’s not the only way, that there are always alternatives. Dean repeated almost those exact words to his brother at the end of the episode:
Sam: Dean, we need to seriously discuss me going to the cage.
Dean: Okay. Not happening. Good talk.
Sam, even if these visions are real –
Sam: yeah. It's Lucifer? And me? In the cage? I know. But this -- this lump in my throat... It's not an excuse, not anymore.
Dean: We'll find another way. Okay? There's always another way.
Sam: Okay. Then tell me. What is the other way?

As a child he wanted to hunt like his dad and his brother because they were his heroes and it was the only life he knew. Is he now being pulled down the wrong path because of a misguided sense that’s it’s his only option and it’s the right and brave thing to do? Is he so determined to not let the “lump in his throat be an excuse any more” that he is catching the next bus to Hell because someone (we don’t yet know who) called him and told him it was his destiny? The parallel would seem to indicate that, but just because it’s dangerous and reckless doesn’t mean it’s wrong:
Sully: When you went off to hunt, I considered that one of my biggest failures. It just seemed so clear to me that you wanted something else. But...I was wrong. And it all worked out, didn't it?
Sam: I don't know about that.
Sully: Come on. You're a hero. Sam, you saved the world. I keep track of my kids. And you did really good, Sam.

Sam desperately needed this reassurance but he isn’t a kid anymore and he now understands the horror of what awaits him. Once again feeling the unconditional acceptance, support and secrecy of his “best” friend, Sam allowed himself to open up about his failures and fears:
Sam: Well...Not all good. There was some bad. ..And some really bad. Sully... I screwed up. I let something out into the world that was...
Sully: You mean the Darkness? That's what the others are calling it. I've just heard rumors.
Sam: Well, I'm gonna fix it. I am. Dean and I, we're -- we're -- we're gonna fix it. It's just... I think God wants to help us fix it. But... I don't think I can do what he's asking.
Sully: How bad is it?
Sam: There's this cage in Hell, and it's where they keep Lucifer. And I've been in it, and it's... And I think God wants me to go back.

Ever think…it’s all up to you?
Ever think…that God would ask something of you that you don’t think you’re capable of doing?
When faced with something that might be worse than the apocalypse, Sam’s imagination now is filled with only horror… and fear.
Fear

The intimacy of Sam and Sully’s conversation was gripping, and the depth of Sam’s fear was piercing. How many times are we so afraid of something that we don’t even say it to ourselves, let alone say it aloud to someone? Yet Sam had someone who he knew would always say the right thing and would always understand, so Sam was able to risk talking about the unimaginable.
Sully also confessed to making a grave mistake and being afraid:
Reese: He's the one who killed my sister.
Sully: It was an accident. Reese and her twin sister, they were my first kids after I thought I screwed things up with you.
Reese: So this is his fault?
Sully: No! No, Reese, I'm the one that bungled it. It was me. I should never have let her chase me into the street. We were just playing tag. I don't know why I didn't see the car coming. That's why I never went back in the field. That's why I never found another kid. I was too scared I'd hurt 'em.
In "Plush", the misguided sister said “Fear cripples you. Makes you do nothing, or worse. Makes you do something you regret.” Sully’s fear crippled him. He stopped helping children, which was a terrible waste of his wonderful, nurturing gift.

Sam is determined not to let fear cripple him into inaction:
Sully: Ever think... About running away anymore?Then Sam and Sully exchanged a look that said, ‘there’s your answer’. That was the moment that the hero in Sam decided what he had to do. The lump in Sam’s throat – fear – isn’t going to paralyze him anymore. He feels the right thing to do is to act on his vision, from God or whomever, and visit the cage for answers. Sam is going back to Hell.
Sam: I did. Um, I mean, I have. But not in a while. Not anymore.

The concept of being a hero was brought up several times in “Just Your Imagination”. Sully was Sam’s hero:
Sam to Sully: You know, it's... pretty awesome, how you help everyone around you.Yet the guy who “helps everyone around him” made a huge mistake that cost a life. So both Sam and Sully, who both have hearts of gold and who have both been willing to sacrifice their lives to save someone, ‘screwed up’ and ‘bungled it’. They each had to confess their deepest fear, but then overcame it to be able to act again.
Sully: Doesn't always work out, but... I try.
Sam: Sully... One thing I've learned -- heroes aren't perfect.That’s my favorite line of the episode. Some things are scary, but that’s just because they’re important.
Sully: Mm. Sometimes, they're scared. But that just means the thing that they're facing, it's super important. And nobody else is gonna go for it because nobody else has got the balls.
I needed to hear that.

Thanks Sully. You’re a pretty good imaginary friend.
Just Wondering…

Who else recognized the wallpaper in the flashback was from 1.18 “Something Wicked”? I tweeted Jerry Wanek about it. He confirmed it and asked if we found the one thing that was different. I answered him and am awaiting his reply (what do you think was different?). The continuity in this episode contributed to its believability. It was a marvelous surprise to have Dylan Everett reprise his role of Young Dean.

Sam's broken arm because he thought he could fly, the references to going to school and running away - it was hard to do but the detail added to the overall quality and charm of the episode.
Dean: "A chick in a car? That’s terra firma. I’m home." – Great line!
I objected to the fat jokes in "Plush" so it’s only fair that I give credit to the casting department for using several actors who are heavier in weight than your standard perfect model body shapes we usually see on TV. Meems and Sully both had self-proclaimed “love handles”. I applaud being offered something other than diet obsessed actors and both were exceptional in their roles, so thank you for the diversity.
There were two or three things that I just can’t understand passed the editor’s desk:
· I don’t understand this string of awkward jokes that don’t quite work! A manicorn? Yes, we have a funny name for it now but the joke died. There was also the 'take a family shower' bit. Would Dean really say something that dumb? Even Sully said "pull up".

· I was really bothered by a few details that were ignored. Matty is never going to be able to go back into her bedroom and the pool water is still bloody red. The boys needed to clean up both crime scenes. If we are going to buy into serious hunters seeing imaginary, cuddly friends, then ALL the rules of reality apply, like crimes scenes needing to be addressed so the children can sleep and swim ever, ever again!
If these small nit-picks would have been addressed, for me this episode would have been absolutely perfect. What did you think?
Jared's hair was particularly amazing in this episode. Were those new blond highlights?

Who was the hero of the episode for you? What do you think all the talk of accidents and imperfect heroes meant? Is Sam being brave or has he been brainwashed to act?
Quotes courtesy of: http://transcripts.foreverdreaming.org
Screencaps courtesy of http://supernaturalfansonline.com
Comments
I still haven't listened to the prior episodes except for Thin Lizzie and so far I haven't heard any whistles or train related sounds in that episode. So that's Baby, Plush, Our Little World and Just My Imagination. Still watching, will report back.
You know who I think should be the next MOW? The toxic chemicals/monst ers in the FDA anti smoking commercials! Those suckers are scary!!!
Sam: Okay. Then tell me. What is the other way?
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People have been talking if the train means something and I found the tweet that I remembered about it.
Jerry Wanek @JerryWanek 10:41 AM - 11 Nov 2015 Yes we "built" a train for tonight's EP
People have been talking what does it mean and from this bts shot it seems to mean something. A game that I have played and have introduced "Silent Hill" had similar sound effect in it. It has Air Raid Siren that starts to play and the world in it literally turns to hell. That siren means death, very bad things and monsters. That makes me wonder what the train sound does mean. But I am wondering have they taken some ideas from the scariest game out there. In same game there was also cat in a locker scene like there was in yellow fever.
Disturbing images in the clips so be warned. It is fairly scary horror game/movie.
From the movie:
[video]https://www.youtube.com/watch?v=i-W_ArPy2yE[/video]
Sound:
[video]https://www.youtube.com/watch?v=OwFqShcxaQ0[/video]
From the first game:
[video]https://www.youtube.com/watch?v=aOi6-3agy9Q[/video]
When I played the game a lot I actually started to hear that siren in school. Sound memory in ears. It didn't help that one of the more used horror places in the game was a school..........
- Lilah
- Lilah
Although what Lilah wrote about Silent Hill -- A game that I have played and have introduced "Silent Hill" had similar sound effect in it. It has Air Raid Siren that starts to play and the world in it literally turns to hell. That siren means death, very bad things and monsters.
Fits in perfectly with The Darkness (Amara), The Killing of Death, And Sam's return to the Cage === The train whistles could also mean nothing LOL
I really enjoyed the continuity angle of this entire episode and how it relates to the boys. Jenny must have watched every episode at least twice, because I have to say...."she gets it, she gets them". Sam having an imaginary friend makes perfect sense when you think about it. Sam is only 8 when he learns the truth about what their father does, how his mother died, and worst of all...monsters are real and Santa isn't. That's got to be a bit traumatic for someone in the third grade. I always understood Sam's fear and his desire for a more normal life. Then we have Sam at 9 alone in a cheesy motel. (sidenote: can I just add how awful that really is and that in the real world JW would've had his kids taken away from him. It's not like Sam was left in a nice, safe hotel with a pool, a gift shop, a gym and maybe a nice place to eat. He's a fourth grader left alone in some cheesy ass motel, mostly likely off some highway, where hookers and lowlifes spend the night). He didn't even have Dean with him. I think it's perfectly logical that Sam would have an imaginary friend to keep him company and help him to feel safe. Sully also offered Sam an ear, which I don't believe either John or Dean did. It also made perfect sense that Sam would want to run away. It ties very well into what we saw in DSOTM. One of Sam's most cherished memories was when he ran off to Flagstaff and got away from his Dad. His happy memory also included going to college and being safe and normal for the first time in his life. Yet when Dad called telling Sam to hop on a bus (and don't think that Dean didn't have everything to do with John changing his mind)...oh holy hell I know, very very bad parenting....Sa m was very excited and happy to be included. Now that may seem OOC but I don't think so. Sam is 9. He's never been on an actual hunt. He hasn't yet witnessed first hand what hunting entails, all Sam knows is that he gets to hang out with his Dad and his brother. He gets to be included, which is what he really wanted. Sam rejecting Sully at that moment, questioning why he needed him in the first place....it had everything to do with his wish to be with his family. When Dean called Sam in, he believed he wouldn't be alone any more. I can only imagine as time went on, and Sam became disillusioned with hunting (as we saw in the girl next door), that somewhere deep inside he regretted ever saying goodbye to Sully.
Sully coming back to Sam's life is just another reminder that Sam being with Dean, doing what he's doing, even with all the bad that came along with it, was in fact the right thing for Sam. Sully even said it....Sam's a hero. Still, Sam holds onto that dream he had when he was with Sully...the dream to be normal. To this day, after all is said and done, Sam still has hope for both him and Dean that they will be able to see that dream come true...and that's a good dream to have.
I really like Sully and I think he's a very important part of who Sam is. I love that Sam had him to open up to about his visions and his fear of what it all means. Sully asked Sam a very important question...."Do you feel like running away?".....and Sam took a good look into himself and replied...."no" . I believe that Sully's faith in Sam has given him the extra ounce of courage he needs in order to face his biggest fear. Sam's not going to run away from his fear, he's going to run to it and face it down....he's going to do what is necessary to find out how to defeat the Darkness. He will be as Sully so eloquently pointed out....a hero.
Dean does make me laugh. When he comes out in his dead guy robe asking what Sam is doing...and when Sam tells him, and then Sully shows up...."I'm going to get my gun"....serious ly...he almost made me choke on my ice cream. On the surface Dean's hostility towards Sully brought on a couple of laughs but then again, it goes so much deeper than Dean being a grumpalump. After the laughing was done, I started to question Dean's hostility towards Sully and it really did make perfect sense to me. Dean noted that an imaginary friend was stupid then as it is now. I don't really think Dean, until this episode, had a true understanding of what the Zanna truly did for these children. I also think that there is a bit of guilt behind Dean's hostility as well as resentment towards Sully. Sam created Sully because he was lonely. Sam told Dean, he was a lonely kid and Dean said...."you had me". Of course Sam had Dean, but not all the time and not always when he needed him. I don't think Dean really understood, until now, how lonely it really was for Sam when Dean went off on hunts with John. I mean, at least when John went off on his own, they had each other, but when Dean went too.. Teen Dean learning about Sully and thinking it stupid, of course that's what he's going to say, after all Sam created someone to fill Dean's role. I can imagine that's like getting hit in the jewels....but I also think Dean felt guilty as well. Dean, forever the good soldier, always wanting to please his father, left his brother alone. I think that bothered Dean and judging from his reaction to Sully, I think it bothered Dean a lot. I believe he resents Sully for taking his place and I think he feels guilty that Sully exists because he wasn't there. Judging by the way Dean regards Sam, the lengths he goes to save him, and Dean's belief that hunting together is the only thing that keeps them together, that keeps them a family, I'm leaning towards thinking that Sully's existence had some part in influencing Dean's outlook. I think Dean's gradual acceptance of Sully is quite telling, in that Dean not only recognises Sully's value but also enables him to come to terms with his own guilt. Sully in turn lauds Dean, taking back what he said about Dean being an germ, and acknowledging that Sam was right to have rejected him....Sam didn't need Sully anymore, he had his big brother, who has, in fact, looked out for his brother and taken care of him. You add a Sammy smile to that, and I think we get a Dean with one less thing to feel guilty about.. and that's a good thing. As for Dean's reaction to Sam's vision and the possibility of going to the cage....I can't really blame Dean for the whole....HELL NO attitude. I can imagine what could be going through Dean's head....Sam spent a century being tortured in that cage. His head broke. He nearly died from his hallucinations. I can only imagine his fear regarding Sam's sanity if Sam came face to face with Luci again. So yes I get his fear....but.... .Sam is strong. Sam has faced and conquered insurmountable odds....Dean needs to trust in Sam, trust that he can handle whatever comes his way, and trust in himself to know that he'll be right by his brother's side to help if need be. Dean also needs to trust in his brother and tell him about the control the Darkness seems to have over him. Hopefully after the midseason finale....Dean will finally find that trust in Sam and himself to open up. We shall see.
This was a wonderful episode filled with sick twisted humour and emotional/touch ing scenes. This episode mixed the past with the present and brought new understanding and appreciation for both Sam and Dean. It was just the right amount of touching....it was grade A top notch writing, directing and acting.....and now I want to go and watch this episode again with an imaginary friend...
ps...ok so I watched again...sans my imaginary friend....and as I watched the episode again last night I had realized something. It hadn't occurred to me the first time, but as I watched the end scene.....I suddenly flashed back to the end of Brother's Keeper. As I watched Sully willing to die by a blade, to do what's best for Reese, I suddenly was reminded of Sam on his knees, ready to die by a blade as well, believing that was best for his brother. That got me thinking more about Sully.
Sully was created by Sam. I think that Sully is a combination of Sam and Dean....and together Sam had the perfect friend. Sully was similar to Dean, hell Sam created him because Dean wasn't there. Sully is funny and wanting to please Sam. It reminds me of Dean's sense of humor and how Dean, as in DSOTM, tried to make Sam happy. Sully looks out for Sam and is willing to do anything for him, not unlike what Dean does. But then Sully is also a part of who Sam is. Sam, as we know who did dream of running off, of doing something else. The Sam who was told he's not Dean or his father and that's a good thing because Sam is awesome. Sully helped Sam to become his own person, follow his own beliefs and stand his own ground. This already existed inside Sam. Sully is also a good listener who doesn't judge or shut down because he doesn't like what he's hearing...that too is a Sam trait. If Sully were dissected and examined to see what he was actually made of.....the ingredients would read.....half Sam Winchester, half Dean Winchester..... which ultimately resulted in the perfect person....imagi nary or not.
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- Lilah
love it. so looking forward to next week.
ETA: I actually think the music was playing in Swan Song during the first flashback, which then segued right to the talk between Sam and Dean in which Dean told Sam that he was on board with the plan for Sam to jump into the pit.
Also Ladies this wonderful praise that you are giving me about writing such a wonderful episode. I Thank you very much LOL My nam is Jenny Klein Hahahaaaaaaa (close Kleinschmidt)
I meant to mention the music in my review but ran out of time, so thank you.
Quote: Nah.. I don't think that's it. Generally when a show is in it's final season, especially a show as long running as this one, they would hype it up as series finale... blah, blah like they did with Superman. No, this seems more like a change of guard to me than an ending. I can't help getting the feeling that maybe an up until now stifled Jeremy Carver suddenly has free rein and a good 2IC and they've overhauled how they are doing everything in relation to the story elements. The show seems almost gleeful in its complex subtext. This season feels like they've had writers sessions and maybe even a story board with an outline of how each episode will fit into the whole. That's they way Kripke did it, and JC worked under Kripke. Even the rookie writer Nancy Won wrote like she knew her stuff. Maybe JC told everyone to go back and rewatch the entire series. I am curious the effect that this is going to have on next week's episode. R-L/B scripts still seem glaringly subpar to me and it's killing me that they are writing such a crucial episode. Shouldn't it be Dabb?
Agreed! And I'm pretty gleeful about it too. And I also wish it were Dabb who had written the next ep, but even the duo has had some decent eps. However I'm going to be really angry if they botch this one after all of the wonderful eps that have so beautifully set up the mid-season finale!
1.13 Route 666 with Brad Buckner
7.05 Shut Up, Dr. Phil with Brad Buckner
7.13 The Slice Girls with Brad Buckner
7.19 Of Grave Importance with Brad Buckner
8.03 Heartache with Brad Buckner
8.07 A Little Slice of Kevin with Brad Buckner
8.15 Man's Best Friend with Benefits with Brad Buckner
8.19 Taxi Driver with Brad Buckner
9.03 I'm No Angel with Brad Buckner
9.09 Holy Terror with Brad Buckner
9.16 Blade Runners with Brad Buckner
9.21 King of the Damned with Brad Buckner
10.03 Soul Survivor with Brad Buckner
10.10 The Hunter Games with Brad Buckner
10.16 Paint It Black with Brad Buckner
10.21 Dark Dynasty with Brad Buckner
11.03 The Bad Seed with Brad Buckner
Half of these I had to look up because I couldn't even remember. And the other half? Well....... um...... what can one say? Suckage major!
I'd have to say that the only ones I can tolerate even a little are A Little Slice of Kevin and Blade Runners. The others? Ugh. I am pretty certain that after they wrote Route 666 in season 1 that Kripke basically said.... "not on my show!" You notice that they didn't write another episode until well after Kripke's departure in season 7. It's funny, Route 666 is looking pretty good by comparison. Racist trucks and racist witches....what 's with these guys?
As far as that list goes some of them were pretty decent. I can't believe they wrote Blade Runners!!! King Of The Damned, Soul Survivor, Hunter Games... all good. Now granted some episodes had really good parts and then crapped out on side stories but looking at that list overall, it looks like they started getting better (comparatively) in Season Nine. Not counting the horrendous Paint It Black. But you know what this team does have on its side? They can claim they never had anything to do with Bloodlines, Bitten or Fan Fiction. ;)
Still though, in a list of my all-time least favorite episodes R-L/B have the percentage. I can't get it down to 5 eps anymore... these are my least fav 7 in no particular order......
Mannaquin III
Bloodlines
Paint It Black
Taxi Driver
MBFWB
Dark Dynasty
Hunter Games - sorry, I though this episode sucked eggs... Claire tries to kill Dean? :( I could happily add Shut Up Dr. Phil and Route 666 to this list along with RT's Book of the Damned to round out my 10 worst. R-L/B make up 70% of my list.
Here's a link:
[video]https://www.youtube.com/watch?v=7OYlqUxqWwo[/video]
Was this the music that you heard? They've gotten away from using it lately, but it would be all kinds of awesome if it along with great story telling and rich characterizatio ns was making a comeback!
Sorry didn't' see the replies before I fired this off!! Ah well, redundant, redundant.... still it's nice to have the music back. I'd give my I-teeth to know exactly what's happened behind the scenes as things are so very clearly different than what they were. I know that Adam Glass left the show and then Bob Singer stepped back.... but geez, it's like a whole different show. It's interesting again, it's asking the tough moral questions again, showing us shades of gray again, being clever with subtext again (like the train thing, and the music, and turn's of phrase that repeat from episode to episode) MoW episodes relate the the overall myth arc again! But I am sure that in the world of the show discussing it would be like airing dirty laundry and we'll probably never hear much about it. Still though, I challenge anyone going to the next con (Jacksonville I think) to ask a question about it. I CHALLENGE YOU!!!
...and Dabb took over as head writer. I have been wondering the same thing. I could never bring it up because it would be insulting legends of the show, but something changed to give somebody the freedom they needed to make the show great. THIS is what I expected from Jeremy when he took over.
And I also had trouble with Dean's turnaround in the bad gal monologue scene. I got it, he was defending Sully and maybe that means he had grown to understand what Sam was going through as a kid and the role Sully played in that, but I didn't see that in any of the preceding scenes and so the turnaround at the end seemed sudden and unearned to me. If Sam and Dean had shared a 30 second conversation about Sully and Sam's need for him (other than the "I was a lonely kid" comment at the start of the episode when Dean wasn't ready to hear it) maybe further into the episode, I think Dean's sudden reversal in the bad gal monologue scene would have made more sense. Dramatically it didn't quite work for me. That being said, I loved how gentle and caring Sully was, and I loved, loved, loved getting into Sam's head. God it's been SOOOO long. It's too bad it wasn't Dean, but it was someone who knew Sam and had only Sam's best interests at heart. Jared is just killing it this season; that scene was heart wrenching.