"Metamorphosisâ€With Ruby at his side, Sam works his mind-mojo to exorcise a demon, but the man taunts him about being a hero and "all the things you and this slut do in the dark." Sam successfully kills the demon, making Ruby smile, but he has no idea Dean is watching outside the window.
--Robin's Rambles by Robin Vogel
--Robin's Rambles by Robin Vogel
Sam tests the working pulse of the host body and reports to Ruby, â€œI feel good--no more headaches.â€ He's helping the man walk out when Dean enters, furious, demanding to know who SHE is. "Good to see you again, Dean," says Ruby. Dean immediately attacks her, all set to murder her with the demon-killing knife. Ruby and Dean battle it out until Ruby has Dean in a choke-hold. Sam intervenes, orders her to stop. She does. "Aren't you an obedient little bitch," gasps Dean. Sam sends Ruby to the emergency room with the victim. "Dean!" calls Sam, but his brother walks away from him.
Motel room - Sam sits alone, reading a book. Dean enters and begins packing; he and Ruby can fight demons, they don't need him. Dean punches Sam, hard. "Satisfied?" asks Sam. Dean punches him again. "I guess not," says Sam, his lip bleeding. "Do you even know how far off the reservation you've gone?" demands Dean. "How far from normal, from human?" "I'm just exorcising demons," insists Sam. "WITH YOUR MIND!" shouts Dean. "What else can you do?" "I can send them back to hell," says Sam. "It only works with demons, that's it." Dean doesn't believe that's all. "I'm pulling demons out of innocent people," Sam reminds him, "the knife kills the host!--I've saved more people in the last five months than we've saved in a year!" "Is that what Ruby wants you to think?" asks Dean--â€the way she tricked you into using your powers? Slippery slope, brother, because it's going to get darker and darker and God knows where it ends. It's already gone too far. . .if I didn't know you, I would wanna hunt you--and so would other hunters." (oh, God, that hurt me!) Sam, tearing up, says, "You were gone. I was here. I had to keep on fighting without you. And what I'm doing--it works." "Tell me," says Dean, "if it's so terrific, why did you lie about it to me? Why did an angel tell me to stop you? Cas said that if I don't stop you, he will. That means that GOD doesn't want you doing this. So are you just going to stand there telling me that everything is all good?" Sam looks miserable. The phone rings. It's Travis, a fellow hunter, with a case. Although Sam says it's a bad time, he takes the details: Carthage, Missouri, looking for Jack Montgomery.
Carthage, MO - Montgomery house - Jack Montgomery is eating, making a pig out of himself. His wife, watching him devour dinner, asks if he's stoned. Just starving, he says. He asks for dessert, polishes off the mashed potatoes, takes what's left of her steak, even though he's already eaten two. She suggests he has tapeworm. "I've never felt better," he chortles. Later, brushing his teeth, Jack feels sudden agony when his spine appears to pulse painfully inside his body, going into frightening contortions.
Montgomery house - Dean and Sam sit outside in the Impala, observing Jack through the kitchen window. At first, Dean complains there's no evidence of the "weird" Travis asked them to look for. Learning he won't be eating dinner for 45 minutes, Jack helps himself to a beer. He also eats some leftover chicken, peeling off meat like an animal and stuffing it into his mouth. Next, he dives into some raw chopped meat, shoving it into his mouth with ravenous delight, letting the blood pour down his chin and onto his white shirt. (gross!) He acts as if in a trance until his wife calls his name, then he comes out of it, looking guilty. Sam remarks, "I'd say THAT qualifies as weird."
The brothers enter their hotel room to find Travis drinking their beer. He hugs Dean, then Sam, remarking on how tall the latter has gotten. "Are you still a Mathlete?" Travis asks. Sam says no, Dean, teasingly, Sure is!" "John would have been damn proud of you, sticking together like this," says Travis, who has a broken arm. "Nothin' more important than family," agrees Dean. (Why is there always someone to rub it in?) Travis thanks them for their help--did they track down Montgomery? Yes, but all Jack has is a serious case of the munchies and a tendency to eat raw hamburger meat. Travis explains that Jack Montgomery is turning from human to rugaru--nasty suckers. As Travis narrates, we get a glimpse at what's happening at the Montgomery house--Jack's wife cuts herself making dinner, he turns his attention from the fridge to her bleeding finger. Travis explains that first, the rugaru is hungry for everything, then. . .the longpig. Dean needs a translation of what that is; Sam supplies it: "Human flesh." Hunger grows for human flesh until the rugaru can't take it anymore and must enjoy that first juicy chunk. Jack watches his wife wash the blood from her finger, his eyes wide with hunger. "Then it happens," says Travis, "they transform completely and fast." Jack's wife tells him she needs stitches, but he mutters, "I gotta go, I gotta get outta here." She calls after him, but he leaves the house. "One bite is all it takes," says Travis, "eyes, teeth, skin, it all turns; there's no going back, either--they feed once, they're a monster forever, and our man Jack's headed there on a bullet train." Travis explains he killed Jack's father in 1978, creature killed eight people before he took him down--the guy was a dentist who had a pregnant wife. The child was put up for adoption, and by the time Travis found out, he was long gone, lost in the system--he didn't have the heart to track down the child, but he has tracked down the man now.
Bar - Jack inhales booze and gobbles peanuts. He thinks about his wife's bloody cut and blood running through veins in general. He catches sight of his haggard face in the mirror behind the bar. He orders another drink and more peanuts. He overhears a chunky guy trying to pick up a pretty brunette sitting at the bar and orders the "Fat, sweaty dick" to leave her alone. Jack, more than eager to get into a fight, breaks his opponent's hand (or so it appears) and the girl runs away in terror
Dean and Travis work on making super flamethrowers, because deep-frying is the only way to kill rugarus. That's how Travis offed Jack's father. Sam returns and reports he's been checking out the lore on rugarus--Jack's doesn't necessarily have to "hulk out." Travis is miffed that his 30 years of experience isn't enough for Sam, but Dean assures him that Sam loves research, he keeps it under his mattress next to his K-Y (LMAO!) "Those with the rugaru gene," explains Sam, "if they never eat human flesh, they never transform. Eat a lot of raw meat, just not longpig." "Fairytales," says Travis," every rugaru I ever saw or heard of took that first bite." "That doesn't mean Jack will," insists Sam. "We talk to him, that way he can fight it." "We're meat on legs to him now," says Travis, "he's hungry! I'm sure he's a stand-up guy, but this is pure, base instinct." Sam insists they aren't going to kill him unless he does something to get killed for. Sam leaves. "What's up with your brother?" asks Travis. "Don't get me started," warns Dean.
Montgomery house - Jack's wife is pissed at him for forcing her to drive herself to the hospital; she was there until 2 AM. He saw the blood and got dizzy, he explains, he had to get out. But he didn't even call, she complains, she left him a dozen messages. His phone died, he couldn't find a pay phone--"But I AM sorry," he says sincerely, "and I promise it will never happen again, and certainly, not to a wife as STUNNING as you." He gets all affectionate and smoochy. She remarks it had better not, blood never bothered him before, As he begins kissing her with more fervor, she advises him to "think diamonds, Kobe-sized." He lifts her onto the counter and kisses her behind her ears, her neck; she asks, "What has gotten into you?" He doesn't know. Then his actions are harder, harsher, more like rape than passion, and she orders him to stop. When he doesn't, she escapes his grasp. "You son of a bitch!" she cries. "I'm sorry," he whispers. "What the hell is wrong with you?" she demands. "I don't know," he replies, and leaves.
Sam is annoyed with Dean, who keeps referring to Jack as "that guy." He has a name and a wife, Sam reminds him. Who they are probably going to be making a widow, says Dean, by burning him alive. They argue--maybe Jack can fight off the urge to turn, says Sam. And maybe he can't, counters Dean, who suggests that Sam's emotions are getting in the way here--nice dude, but he's got something evil inside him, something in his blood-- maybe you can relate. "Stop the car!" orders Sam. Dean pulls over and both get out of the car. "You wanna know why I've been lying to you, Dean? Because of crap like this! The way you talk to me, the way you look at me, like I'm a freak, or even worse, like I'm an idiot and don't know the difference between right and wrong." "DO you know the difference?"asks Dean--"you've been kind of strolling a dark road lately!" "You have no idea what I'm going through--none," says Sam passionately--I'VE GOT DEMON BLOOD RUNNING THROUGH ME, DEAN, THIS DISEASE PUMPING THROUGH MY VEINS, AND I CAN'T EVER RUB IT OUT OR SCRUB IT CLEAN! I'M A WHOLE NEW LEVEL OF FREAK! And I'm just trying to take this. . .curse and make something GOOD out of it. . .because I have to." Dean, guilty, sad and sorry, says, "Let's just go talk to the guy." Sam snorts. "I mean Jack," adds Dean.
Montgomery backyard - Jack stands watering his garden, his thoughts miles away. Sam introduces himself and Dean to Jack. When he sees Sam unable to begin saying what needs to be said, Dean says, "You've probably noticed your bones moving under your skin, and your appetite reaching Hungry Hungry Hippo levels." "Who the hell are you guys?" asks Jack. "We're people here to help," answers Sam compassionately, "please, hear us out." After they explain about the rugaru, Jack can't accept it, even after Sam tells him his real father was one, and passed it on to him. Dean lays it on the line, "You're hungry and you're only going to get hungrier, for longpig, or Manburger Helper--hasn't it crossed your mind already?" "No," lies Jack. "You can fight this off," says Sam, "others have." "It won't be easy," says Dean, "you'll feel like an alcoholic swimming around in whiskey." "You feed once and it's all over," says Sam, "and then we'll have to stop you." "My dad, did somebody 'stop' him?" asks Jack. "Yes," replies Sam. Jack orders them off his property; he sees them again, he's calling the cops. Sam reminds him everyone Jack knows, including his wife, is in danger. "NOW" shouts Jack, overheard by his next-door neighbor. As the brothers leave, Dean says to Sam, "Good talk." Jack, distressed, watches them go.
Jack sits on a bench, listening to a message on his cell phone from his wife: "Please come home, we have to talk." He hangs up, staring up at the window of the woman he rescued in the bar. She's opened her blouse, revealing her bra. Jack stares up at her, hungry. He stands and walks across the street, heading for her apartment. From the Impala, the Winchesters watch him. "Damn it, Jack, no!" says Sam. The brothers each take hold of a flame thrower from the back seat. Jack is already ascending the fire escape to the woman's apartment. The brothers enter through the front door. Jack stares through the sheer black curtain; the woman slides off her bra and puts on a night shirt. Jack's face looks terrible, feral, the whites of his eyes going red. No! he whispers to himself, and his eyes return to normal. Sam and Dean burst through the woman's front door. "We're here to save you, I guess," says Dean lamely, realizing the woman is alone. She screams that she's going to call the police. "We should go," says Sam. Dean agrees, and closes the door behind them, smiling. Jack returns home, looking a lot more human than the last time we saw him. "Michelle," he calls. "I'm home. Hey babe, you here?" He enters the living room and sees his wife tied to a chair, gagged and struggling. Travis appears behind him, covering his mouth with a Chloroform-treated cloth.
Jack awakens, handcuffed to a chair. Travis apologizes--"This isn't the way I wanted it to go." He removes Michelle's gag. Travis urges Jack to tell his wife the truth; she deserves to know. Jack begs Travis to let her go, she isn't part of this. Oh, she is, says Travis, tell your husband what you told me when I got here. "I'm pregnant," reveals Michelle, crying. "See the mess we're in?" asks Travis. "I can't make this mistake all over again. I won't be around in 30 years, this has got to end now." To Michelle and Jack's horror, Travis takes out a gas can and spreads the fluid around, saying he has no choice. Unfortunately, Jack's love/lust for his wife gives him the strength to free himself from the handcuffs and attack Travis. Jack re-breaks Travis' arm, then gets his first taste of longpig, homing in on Travis' succulent jugular. Travis screams and twitches as Jack begins to hungrily, greedily feed on him, a piece of flesh hanging from his lips. Michelle watches her husband in disgust and horror. (And may I say, ewwwww!) Jack, his face covered with blood, frees Michelle. "Stay away from me!" she screams, and runs from the house and into her car, driving away as fast as she can. Jack gazes at Travis, around whom a huge pool of blood has now formed.
Dean and Sam pull up in front of the Montgomery house. They see Travis' car--"That stupid SOB," says Dean. They notice the giant blood stain and follow it to what's left of Travis. "I guess you were right about Jack," admits Sam reluctantly. Jack leaps on top of Dean, knocking him unconscious, then Sam, felling him with his own flamethrower.
Sam comes to consciousness and finds himself locked in a closet, blood dripping from his nose, a bad bruise on his forehead. "Dean?" he calls. "Dean can't come to the phone right now," mocks Jack, who now truly looks like a monster, blood covering his face. "Jack! If you hurt him, I swear to God!" warns Sam. "Calm down!" says Jack. "Your brother's alive." Dean is lying on the coffee table, Jack hovering over him. Sam rests his head against the door, panting. "But not if you don't calm down," vows Jack. "Open the door," urges Sam, "we can figure this out, okay?" Jack, close to tears, says, "After what you did?" "What are you talking about?" asks Sam. "You send your friend here," accuses Jack, "he tried to burn my wife alive!" "What? Why?" demands Sam. "He didn't say," lies Jack. Sam grabs a metal hanger and starts working on the lock. "I guess psychopaths don't have to explain themselves," says Jack. He gazes at Dean and begins to longingly check out his body. "Listen to me," begs Sam, "you gotta believe me--my brother and I, we never would have hurt her, okay?" Jack comes up to Dean's face and, with a shaking hand, reaches out and tastes Dean's blood. Wanting more, he begins to rock back and forth. "Oh, God. I'm so hungry!" cries Jack. Sam is working feverishly on the lock. "Jack, don't do this," he pleads. "I can't ever see my family again," cries Jack, turning back to Dean. "You two. . .your friend. You made me into this!" "No one's making you kill us," points out Sam. "You got this dark pit inside you. I know. Believe me, I know. But that doesn't mean you have to fall into it. You don't have to be a monster." "Have you seen me lately?" asks Jack bitterly. "It doesn't matter what you are." says Sam, "It only matters what you do. It's your choice." Jack sits still for a moment, then grunts in pain. He begins to move up to Dean's head again, mouth open, about to devour Dean. Dean begins to awaken. Jack puts a hand on his shoulder, eyes completely fixed on him. "Jack," calls Sam, now standing right behind him, flame thrower and lighter in his hands. Jack lunges for Sam. Dean slowly lifts his head and turns around; over his shoulder we hear Sam flip the lighter and the flamethrower goes off. Dean turns his head back around, shielding it. He watches as Sam burns Jack alive. Jack falls to the floor, in flames. Dean looks at Sam, who's depressed and unhappy that things turned out this way for Jack.
Impala - Dean assures Sam, "You did the right thing--the guy was a monster, there was no going back. I'm sorry, Sam, I've been kinda hard on you lately." "Don't worry about it, Dean," says Sam softly. "It's just. . .your psychic thing scares the crap out of me," admits Dean. "I'd rather not talk about it," says Sam. "You don't wanna talk--YOU?" asks Dean. "There's nothing more to say," Sam says, "I can't keep explaining myself to you, I can't make you understand." "Why don't you try," says Dean. "I can't," insists Sam, "this demon blood, it isn't in you the way it's in me. It's just something I've gotta deal with." "Not alone," Dean assures him. "Anyway, it doesn't matter," says Sam, staring at his reflection in the passenger window. "These powers--it's playin' with fire. I'm done with them--I'm done with everything." "Really?" says Dean. "That's a relief. Thank you." "Don't thank me," says Sam, "I'm not doing it for you, or for the angels or for anybody--this is my choice."
1. Choice â€“ a big theme in SUPERNATURAL. Travis insisted Jack couldn't make a choice, yet he did, when he went to the woman's apartment, to not go in there and do anything bad to her. However, when his pregnant wife was threatened, all bets were off. How do choice and family fare as a pair in SUPERNATURAL, now that we've seen the endgame?
2. It really hurt Samâ€”and meâ€”when Dean said watching Sam do what he was doing made him something he would want to hunt. Didn't the fact that Sam was saving the host make it better than killing it? Would Dean have been less harsh if he hadn't found Ruby with Sam?
3. Jack and his wife seemed like a nice, ordinary couple. Didn't it break your heart to watch what happened to them? There are so many people who lose their lives and selves on this show. Name someone whose death or loss affected you most. For me it was Pamela Barnes.
4. Do you think Jack's wife was really pregnant or only said so in the hope Travis wouldn't harm her? Another generation of hunter is going to have to hunt down another rugaru in the future, damn it, if she is!
5. When you heard Sam assure Dean he wouldn't use his powers in this episode, did you say to yourself, â€œSure, Sam, until you HAVE toâ€? I did!
Okay, off to your questions:
1-well, choice and family - that's pretty much what this show is all about. The themes of free will, sacrifice and doing everything for a part of your family. Travis probably underestimated the power of emotions one can hold for a loved one, even while transforming into a monster.
2-gosh, that scene was so heartbreaking.. . I think Dean reacted in that harsh manner BECAUSE he had seen Sam with Ruby and felt betrayed to the core. I'd say it was his pain speaking, the pain of realizing what Sam had been doing behind his back and the fear of what that might make of his beloved brother.
3-The worst things happen to the best people, a sad fact of life. For me, within this show, losing Ellen and Jo was the toughest part. Even sadder as we haven't seen them in heaven. I'm afraid they might have ended up downstairs for whatever reason, perhaps the hellhounds devoured them before being blown away...
4-she seemed genuinely afraid, much like a woman would who fears for her unborn baby. The story continues, to my mind.
5-I believe SAm really believed it at that moment and he wanted to keep to those words. He had no other choice, however, in his opinion, trying desperately to do the right thing.
Thank you Robin, your 'rambles' are always a real treat and some delicious brain food.
1)I always blamed Travis for turning Jack, if he hadnâ€™t threatened his wife, Jack wouldnâ€™t of turned. Well at least not at that time. The possibility of Jack eventually giving in to the hunger would always have been there.
2)Dean always had a problem with anything that was supernatural, especially when it came to Sam. I think that warning given by John, to watch out for Sam, and that he may have to kill him one day, forever haunted Dean. And to see Sam using these powers and how strong he was, made that possibility much more real. Seeing Ruby made it worst, because he knew it was her influence, but even if she hadnâ€™t been there, Dean would have still been upset and angry.
3)I felt for Jack and his wife, especially being oblivious to your families past, who and what they were. The death that affected me the most was Ellen and Jo.
4)I never even thought that she could have been lying, hoping it would save her. But I think she was pregnant.
5)I believed Sam was being sincere, but yes I figured that something was going to happen to cause him to use them again. I figured it would have been some major threat to Dean.
1. I think the question of how much choice Jack ultimately has makes this episode especially interesting--in the face of such overwhelming hunger, how long can someone hold out? Is it possible?
I also love the way the MOTW story tied into what was going on with Sam, although I wish they'd gone a bit more subtle in terms of pointing out
the parallel, and not been so on the nose about it. The "maybe you can relate" line I could've done without--you've got a smart audience, Show, we get it! Still, the way the story was constructed, nicely done.
Love the way Supernatural looks at the way love, relationships, family can drive the choices we make. Even though they ultimately come down firmly in favor of the redeeming value of choices that turn to family, they've also explored its darker side, the ways the pull of love and family can interfere with individual agency, cause people to act against their will, fuel violence and vengeance... Again, nicely done.
2. Found myself thinking a lot about how much Dean's objections came from his deep fear regarding what the demons had done to Sam (there's no way he was fed demon blood for any GOOD reason), how much from prejudice (against
"psychic freaks", plus his belief that there's no such thing as a nice demon), and how much from pure gut "this is wrong, it just feels wrong" instinct. He was definitely harsh, but after NRFTW, practically begging Sam not to go down that road, that this is just a variation of the demonic bargains they'd made before, I understood his sense of betrayal. On top of that, an Angel of the Lord was backing his point of view.
I also think we lash out more when we're really scared. His instinct that Ruby is manipulating Sam was pretty strong, and deepened his fears for his brother, so yes, I think finding her there certainly made him react more
harshly. But his sense of dishonesty and betrayal from his brother would've caused it to be pretty strong regardless, IMO. I do think Sam has valid reasons for the choices he's made as well--saving the host IS pretty
powerful--guess what I'm saying is I feel like I get where they were both coming from, and the fact that it strained their relationship--w ell, I absolutely loved the tension and conflict that generated.
3. Absolutely broke my heart--thought it was tragic. Whose death affected me the most? The Harvelles, hands down.
4. I think she really was pregnant... which raised another sticky question for me. Travis says he's got to take care of things now because he won't be around in thirty years (and presumably can't risk his quarry getting lost, or entrusting the job to another). So it seems he's not willing to kill a child, but is willing to torch an innocent pregnant woman? Interesting where a hunter draws the line...
Btw, before a person with the rougarou trait starts to change, can they die a natural death like any other human? A geek's question to be sure, but brought about by the above situation...
5. Yeah--I thought, "We'll see how long that lasts..."
Blech, I wrote another dissertation. No idea why. Thanks for your thought-provoki ng questions, Robin. --ElenaM :geek:
So IÂ´m months late for this, but I just rewatched this episode, and itÂ´s still one of those that affects me the most, so...
1. IÂ´m with Karen on this first question, IÂ´ve always thought it tragic that even though Sam thought he had been wrong about Jack for thinking he should be given a chance to make a choice he may actually have been right, had Travis not gone for the kill in "sorry but youÂ´re evil"-hunter mode.
ItÂ´s tragic for Jack and his wife of course, and itÂ´s tragic for Sam as well because it undermined his self-esteem, fed his fear that, no matter what he did, he was in fact already damned. SamÂ´s road to hell may have been paved with good intentions, but what pushed him to follow that road in the first place, what pushed him to save as many people as possible no matter how was fear, his fear of not being good enough to be considered a human, too tainted.
I still basically agree with Sam, with his approach, to take the cards he was dealt and try and make the most of it - which answers the choice question: itÂ´s all about choice, life as well as this show. You get born into a life, into a family, you get shaped by the world you live in, and by your family, and yet you still choose how you react to it, always and all the time, little things and big things. Without choice I would see life as completely pointless.
So how do family and choice pair in SPN? If we just take Dean and Sam: being born into that family comes with heavy issues to deal with. DeanÂ´s choice in dealing with them is to embrace them the way he is told to, for the sake of his family. SamÂ´s choice is to find his own way, regardless of what his family wants. He is still having to deal with them, but he makes his choices more independently, but still relating to his familyÂ´s needs and expectations.
Or, in Swang Song: Sam sacrifices himself for the world, backed by his family, by Dean, but on the other hand not "chained" by it, or by his "destiny". Dean sacrifices himself for Sam, his family (I see what Dean does in Swan Song as a sacrifice for Sam: he is letting him go, literally go to hell in fact, relinquishing his claim as a big brother, and he is doing it for Sam, no one else, and only because this is what Sam wanted). Both of them are making the ultimate choice, freeing themselves and each other from any kind of obligations and expectations, and they are doing it and are capable of it because of the bond they share, because of family, because of love.
I guess we all do things of that sort, in different forms, SPN just brings it out more clearly, how intertwined those two aspects actually are: destiny, or the life, the family you are born into and free will, or the choices you make living this life.
SPNÂ´s approach to this issue is quite clear, too (and I couldnÂ´t agree more): yes, we are born into a life and dealt a deck, but we are still responsible for what we do with it. No one else is.
2. Dean is basically a one-track straightforward person, and his reaction I think is for the most part one of helpless angry fear. His instincts are very sound, and he can feel that Sam is in danger from what he is doing. Ruby is a part of that, part of the threat to Sam, so yes, I think he is being harsher because of her.
He would still be harsh without her though I think. He wants to be sure that Sam is ok, he always does, and this entire situation is completely beyond his reach and control, and that makes him lash out at the one person who could help change at least part of that and has instead betrayed him. I donÂ´t think he is really that angry at Sam in this situation, I think itÂ´s mostly fear and frustration, and anger about his helplessness.
I donÂ´t think he means to hurt Sam, but he is trying to make him understand, trying to get through to him, and his frustrated efforts make him violent, both physically and verbally.
3) For me thatÂ´s a tie between Ellen/Jo and Pamela. Ellen/Jo was horrible for me as a mother, that was truly awful.
PamelaÂ´s was so bad because she had not chosen to be a part of this, she died because she was doing the brothers a favour, and she did not want to die (seeing her hurt by Castiel had already affected me quite a bit, that scene with her burnt out eyes haunted me for a while). She was a great character, brought down by the brothers, and it was no oneÂ´s fault. ThatÂ´s truly painful and tragic.
Besides I liked them very much, all three of them.
Come to think of it, this show has awesome women, few, granted, but they are awesome.
4) Actually it never occurred to me that she could be lying, but of course thatÂ´s possible, and it would make sense for her to do it. It would also explain why he didnÂ´t know - if there was nothing to know.
They seemed to have a good relationship before things started, so unless this was a very recent discovery, heÂ´d know about it.
I think IÂ´ll have to rewatch to see her reaction to really have an opinion on this. "Sorry I couldnÂ´t tell you" should look different from "I just made this up"
....Well it wouldnÂ´t leave me alone, so I did rewatch that scene. I think her way of talking to Jack indicates that she is indeed newly pregnant but hasnÂ´t been able to tell him.
So yes, it seems like a new generation is growing.
Begs the question, what would Sam and Dean do if they knew?
5. I think in this moment he meant what he said, probably under the influence of his "fellow monster`s" gruesome death.
However, he did sound like he was trying to convince himself: it is my choice, etc. This was a "I really shouldnÂ´t ....anymore, itÂ´s not good for me" decision, not true conviction, not heartfelt.