I usually relish in the idea of tackling these deep character studies at the end of the season. No character to me in the history of TV is more fascinating to study than Sam Winchester.  However, when looking at Sam's character development in "Supernatural's" season seven, I'm very disheartened.  He started the season with a golden storyline.  We waited a whole season, one littered with foreshadowing and dire predictions that the wall coming down in Sam's head would lead to disastrous consequences, to see Sam's insanity play out.  Instead, his story fizzled after two episodes and became a gaping footnote in lost potential.  The fans may have been eagerly interested in Sam's gloomy plight, but the writers clearly weren't.    

I accept that long time viewers tend to have big expectations and demand their favorite character's story play out to its fullest potential.  It's hard to please fans and in the end the writers have to go with the way they see things, not with what fans want.  In going through every one of the season's episodes though, there is little evidence the writers in terms of characterization were writing with any clear vision, or even reading each others scripts.  It certainly doesn't look like there was any sort of master plan, and as a result Sam (and Dean) ended up floundering through most of the season without any real purpose or passion.  This is not how the first six seasons have handled characterization and the end result in season seven is nothing short of a massive disappointment.    

As I said in my "Deeper Look at Season Seven Dean Winchester" article, Dean wasn't given any clear mission or consistency from episode to episode.  He drank, he was depressed, he killed monsters with complacency and lack of desire, and he showed hardly any concern for his brother and his brother's very serious condition.  He was written as the dullest hero on earth.  As for Sam, the travesty to his character happens when they gloss over his extremely serious mental illness and make it seem for most of the season that he was fine with just a simple hand grab.  As a result, his character becomes one dimensional and robotic, for this guy can now take anything.  When it's time to finally address the elephant in the room, they give him a quick fix and it's over.  I realize that we didn't need to have Sam's deep struggles with hallucinations of Lucifer in our face every week, but the little indication that they were there from episode 3 to episode 15 asked too much from the viewers in terms of believability.  It really took away the human aspect of not only Sam's condition, but Sam himself.  

In looking at Sam's character development in each episode this season, one theme is consistent beyond the first two episodes.   The writers (excluding a guy named Edlund) wrote themselves into a corner with Sam and probably didn't have enough interest, energy, time, and/or skill to gracefully walk away from it.  The result ends up becoming sacrilege to the character driven writing from the past seasons that has made this show exceptional.  


Meet The New Boss

This is a fantastic continuation of the setup in season six's finale, "The Man Who Knew Too Much."  If you recall, Sam came out of his wall falling induced coma just in time to come help Dean and Bobby with Castiel, but it took everything he had.  It pushed him too far.  

As soon as Castiel disappears with his full blown and vindictive God complex, a very crucial incident for the season happens.  Sam collapses after being flooded by Hell memories and severely cuts his hand.  That cut hand is ends up being the glue that for most of the season holds Sam together.  While that may seem improbable, it isn't.  It's often the little things that bridge that fine line between reality and hallucination.  The hand thing, even though very overplayed by the middle of the season, is very clever and a good visual cue for the audience that Sam is struggling.  The problem was, it became the only thing. 
 
Sam falls in a coma again for an undetermined time (I assume a day or two) and wakes up just fine.  Well, that's what he wants Dean and Bobby to think anyway.  The collapsed wall in his mind has created a whole new problem "“ psychosis.  His hallucinations mirror that of a trauma victim, someone who's experienced extreme forms of torture and torment.  He quietly endures these terrifying visions, not letting on they're happening until Death tells Dean and Bobby (Those horsemen are real know it alls, aren't they?)  Dean takes the omission personally, confronting Sam about not letting him know he's got "crazy crap climbing those walls."  Sam's point is valid though, why bring it up?  It doesn't do any good.  He has to work it out on his own, for Dean and Bobby have their plates full.  This is very typical Sam behavior and as usual, it all backfires on him by the end of the episode.  He suffers a severe psychotic break and visions of Lucifer are now taunting him, claiming that what he's seeing isn't real.  He's still in the cage.  Sam, off alone, cannot snap himself back into reality.  

Hello Cruel World

Sam's broken mental state masterfully unfolds.  Dean and Bobby find Sam and snap him out of his vivid hallucination of Lucifer.  After a very long rest Dean wakes him, cares for his hand, and then asks for the truth.  It's not just flashbacks anymore, Sam's not able to distinguish what's real.
 
Oh, poor Sam.  He wants to be honest with Dean and Bobby, he knows he has to, but at the same time he knows they won't be able to understand.  He doesn't understand himself.  During his entire conversation with Dean and Bobby he's on the surface controlled and honest, but underneath very frazzled over the fact he's the only one seeing Lucifer in the same room and he's not sure what's real.  It's not only one of the most tragic scenes we've ever witnessed with Sam, but this is a problem he has to face alone and won't easily go away.  This is his reality.  I still get very emotional when Sam confesses the terrible truth about seeing Lucifer to Dean, who's acting pretty angry over what's happening.   

Dean:  You know that he's not real, right?  
Sam (fighting back tears):  He says the same thing about you.

Sam's predicament is devastating here.  Holding on the safety bar and trying to ride it out is clearly not going to work, and Dean's reaction isn't helping either.  However, both are reacting exactly the way they do when they're scared.  It's a problem that both know deep down cannot be easily solved.  It's a human problem, and neither are very good at dealing with those.  It's very, very eerie to watch a big guy in a deep psychotic break constantly field strip his weapon, timing how quickly he's getting it done.  Dean and Bobby certainly watch with daunting concern.  When Sam in a rattled state confronts Lucifer, asking what the end game is, the cleaning of his guns becomes the big clue.  It ends when he can't take it anymore.   Creepy, creepy, creepy - especially since Sam Winchester has never had a suicidal thought in his life.

Even Bobby doesn't know what to do.  Sam tries to talk to him about it, scared that after everything he's been through, crazy could be the thing that finally does him in (nice foreshadowing for later in the season).  Bobby tries to reassure, but it really doesn't help considering Sam sees Lucifer drive a poker through Bobby's heart.  Sam is truly isolated even though Bobby and Dean are right there.  It's fitting that when Sam does have his severe break, it's when he's left alone.  

Oh, the warehouse scene.  Sam is so lost in his hallucination he doesn't even remember driving there.  It's even more scary that he's totally out of his mind and has his weapon handy.  It's very interesting the conversation with Fake!Dean that Sam has in the car.  Fake!Dean is talking down to him, telling him that things aren't going to get better.  Sam's determined to fight his affliction, but Fake!Dean keeps knocking him down, throwing doubts in his mind.  I'm not an expert on schizophrenia and/or psychosis, but it's so fascinating this little war going on in Sam's head between his self assurance and his self doubt.  I do wonder if this is how he thinks the real Dean would react. 

  

Lucky for Sam, the real Dean has been looking out for him and is able to track him down.  Dean calmly, even though he's scared out of his wits, talks Sam back into reality.  He gives Sam the trigger he needs to differentiate reality from hallucination by pressing on his wounded hand.   Sam buys into it, and very slowly works his way back while Dean pleads to believe him.  This exchange is so gorgeous, so pure Winchester brotherly bond, it's perfect.  Dean should be the only one to pull Sam back to reality and appropriately he does it by sharing a coping mechanism he must of picked up himself after his trauma in Hell.  This is where I desperately wish we had more scenes, either this season or earlier, about both brothers eluding to their times in Hell.  Dean's Hell trauma was never explored very well.  It doesn't have to be much, something simple like both sharing an experience with just one sad glance here and there. 

In the car ride back, in the real Impala with the real Dean, the tone is so much different than Sam's earlier hallucination.  Dean is very scared.  He's not angry or berating.  Sam assures that there's no "white rabbits" and Dean gives an apprehensive, "Good."  From here on out, Sam tries to keep Dean convinced that he's not going to lose it again.  He probably doesn't want to scare his brother like that anymore.  Or himself.  He's determined to keep this under control.   

Sadly, though, Sam finds out just how much he has his work cut out for him.  After a frantic call from Bobby, they find his house (and technically their only home) burned down, Bobby is missing, and Edgar the Leviathan is waiting to attack.  Edgar takes out Sam with a tire iron to the head.  A very groggy Sam finds himself being rushed to the hospital with a wounded Dean, but all he can see is Lucifer.  His hallucination troubles are far from over.  This plunges Sam into a massive seizure.  Wow, wow, wow.  What's going to happen to poor Sammy now?  

Ben Edlund, you are my God. 

The Girl Next Door

WHAT THE HELL JUST HAPPENED??  Ben Edlund gives Andrew Dabb and Daniel Loflin the GOLDEN setup to run with Sam's new problems, especially this being a Sam centric episode, and they totally ignore the fact that Sam is teetering on the brink of insanity and is seriously wounded in a hospital????  THEY GLOSS IT OVER????  Holy crap.  The script infuriated me enough with Dean.  It really, really, pissed me off with Sam. 

I just want to cry.  Seriously.  After Bobby rescues an unconscious Sam from the hospital, its three weeks later.  Sam fades out of reality for about ten seconds, does a hand grab and suddenly he's fine.  For the rest of the episode.  And the next one too.  And well, all the way until episode 15.  That's the precedence the writers decided to follow?  I'm all for creative license, but this ends up being a major disappointment in so many ways.  I wasn't expecting Sam melodramatics every single episode, but geez, grossly underplaying his trauma is not a great way to go either.  

I raised the Amy issue a lot in the Dean article, and I'm not sure I want to bring it up here, but I have to since such a stink was raised about it.  Sam is barely holding it together, we think anyway based on logic.  Sam did what he thought was right.  I'm not going to say that either Sam or Dean was right or wrong about the decision to kill or not kill Amy, but Sam really needed Dean at this point to trust him.  That trust is stone number one, remember?  That only happened last episode.   That's likely why Dean went behind Sam's back after Amy, but why didn't Dean just trust him in the first place?  Especially when Sam earnestly begged Dean to?  Oh, right, he's in a self destructive tail spin because he's having trouble trusting because of Cass.  That's the drama they chose to run with?  I re-iterate the opening comment.  WHAT THE HELL JUST HAPPENED?  

Defending Your Life

It's auto pilot for a while now and we're left wondering who this beautiful machine is that's on our TV screens each week now.  Sam is just fine, back in hunter mode, working cases, focusing on his brother while Dean is all moody and depressed.  There is a hand grab in the beginning though, just to remind us Sam is still seeing things.  There's also a conversation at the end how Sam's seeing things but he's happy.  He even smiles.  No, not a red flag at all. 


Shut Up Dr. Phil

Sam is now fighting off extreme mental illness through jogging.  Good to know.  He's now skilled at marriage counseling too.  He tries to talk to Dean twice briefly and gets nowhere.  I can't remember if there's a hand grab in this one, but quite frankly, would it matter if it did?  In just three episodes, Sam is now wallpaper in the storyline. 

Slash Fiction

Considering this was an action thrill ride, Sam's issues deserve a pass for this ep, but they actually weren't glossed over like the prior episodes.  I let out a big "meep!" during that heart breaking scene at the jail when Dean's Leviathan counterpart tells Sam Dean killed Amy. It all plays out silently, but the devastated expressions on Sam's face tell volumes.  Anger hasn't set in, just pure hurt.  Dean has really done it to him this time.  He lied to him and betrayed that trust.  He pulled out that stone number one. 

Sam had every right to be angry at the end and definitely needed a cooling off period.  I'm glad that too many words weren't uttered at this time.  Maybe a comment about what happened to "believe me" could have been done but there was too much hurt floating at the time to have a rational conversation.  That can come later.  Oh wait, it doesn't.   

The Mentalists

Another massive, gaping, complete and total waste of a golden opportunity.  Did they not remember that Sam is not only dealing with betrayal issues, but he still has this psychosis thing going?  Did they not remember that Sam has a valid reason to be angry?  Did they not remember that perhaps he and Dean should discuss this in a realm a bit more than Sam backing down at the end and them moving on like nothing happened?  Where's the emotional arcs here?  Why aren't they following through with basics?  Why is Sam perfectly okay now?  Why am I still pounding my head against this wall? 

Season 7:  Time For A Wedding

Mark this episode right here.  Dog ear it.  This is the point in the season where the writers (except one named Edlund) totally gave up.  They decided to wash their hands of anything remotely connected to character development because they're too much work and get in the way.  It's time to start phoning things in, for those weekly tennis lessons aren't going to take themselves. 

Oh Sam, what did they do to you?  I just can't talk about this.  Nothing good came of this episode at all.  I'd prefer not to remember our precious Sam Winchester as a clueless buffoon suffering in volumes of embarrassing ways at the hands of a crazed fan that was supposed to represent at one point the good underneath the lunacy of the fandom.  How can such a major character be written to suffer anything so cringeworthy like this?  Was it supposed to be funny?  Why am I so mortified then?   

How To Win Friends and Influence Monsters

I'm trying to remember what Sam did in this ep besides amuse Dean through his turducken poisoning.  He put on the FBI suit, hung out in the woods, threw borax at Leviathan, yeah, I got nothing else.  

No, there was his chat with Bobby.  Sam is still very concerned for Dean.  It's through that conversation we are reminded that Sam is still struggling with hallucinations.  Well at least someone remembered that's a lingering plot point.  Sam, in a bout of completely twisted logic, thinks seeing Lucifer is okay.  That puts all his crazy under one umbrella.  Oh Sammy.  That's so misguided, so delusional.  You should have been in a shrink's office months ago.  It's so unfair someone as beautiful as you is suffering like this and no one knows it.  I'm also very sad that only Bobby is hearing this and buying it all.  Why aren't Sam and Dean having these conversations? 

Death's Door

Sam really processes grief quite differently from Dean, doesn't he?  Sam spends the entire time not far from Bobby, scared out of his wit, looking like he's on the brink of tears, ready to embrace the harsh reality that Bobby will not survive.  This is typical Sam.  He's so lost, needs to reach out to someone, but Dean is hurting so bad he can't talk.  When Sam does try, Dean gets pissed, so Sam clutches his hand.  This is where I wonder, what exactly is Sam seeing at this time?  Is Lucifer taunting, or trying to be sympathetic?  I realize there was little time to play this out, but wouldn't that have been fascinating to see?  Just even a brief glimpse as to how something this tragic is burdening Sam's already fragile state?  I guess that's what the hand grab was for.  I feel guilty for wanting a little more since the episode is clearly Bobby's story, but I did.  

Adventures In Babysitting

I might have been forgiving about omissions in Sam's storytelling in "Death's Door" because of the gravity of the situation, but I'm not forgiving here at all.  THIS was the golden opportunity to open up both Sam and Dean's psyches, show the horrible struggles of both within while trying to carry on.  Instead, we get a weak shout out to Twilight and a less than amusing scene of Dean in a cherry picker.  Wrong, wrong, wrong, wrong.  Of course what was I expecting?  This was an Adam Glass script after all.

Here's what SHOULD have happened.  How about Sam's grief overwhelming him during one scene to the point where things start seeping through those cracks in his reality?  Perhaps when he was captured by the vetala in his weakened state he starts seeing things again?  How about any signs that this sort of burden is not good for a man with some serious mental health issues?  Another good idea, Sam and Dean actually have a conversation about their grief!  Perhaps not in the beginning but definitely in the end. 

Sam falling asleep after a flat "I'm not okay" is hardly the exposition that he's having vivid hallucinations of Lucifer and on the brink of losing his grip on reality again.  He acts flat, robotic, wooden, and has no signs of emotion.  I know Sam is guilty of internalizing but in past seasons they've always come up with little ways to let his issues surface when he does that.  Remember staring at his haunting reflection in "Metamorphosis?"  That.  I swear, at this point I'm doubting Sam has any human left in him.  He's clearly a machine now. 



Time After Time

Don't get me wrong, I liked this episode and Sam's scenes with Sheriff Jody, but there's nothing in this episode that moves Sam's character along.  He's perfectly well adjusted and back to being the super hunter that he is.  Good for him.  Perhaps this would make sense if prior episodes had actually dealt with those underlying problems.  Given the context of this episode, exploring any problems just wouldn't have fit.

The Slice Girls

In my Dean article I referred to a wild pendulum swinging back and forth when it came to his behavior each week.  Sam's pendulum as well has some very impressive air span going at this point in the season.  Which Sam Winchester shows up this week?  Why it's agitated, pissy, laser focused on the job, not acting very smart (which we know is OOC for Sam).  He's closing his mind to possibilities about Bobby being a ghost (again, not typical Sam behavior).  Eugenie Ross Leming and Brad Buckner obviously forgot to read any scripts after "Shut Up Dr. Phil" for they thought the whole Amy thing was still going on.  Their tennis game must be exquisite by now.

I actually did see some signs of Sam cracking.  They were subtle but dammit they were there.  Was Sam right to kill Dean's daughter?  Of course he was.  Sam has figured out that Dean has an apathy problem and he's hesitating when it's time for the kill.  Sam knows that in their line of work, there's no luxury to consider "the tables are turned" defense.  If Dean thought Amy should die, then he should have easily killed Emma too.  She was a monster. 

That's all well and good, but Sam as well as Dean has always flirted with the gray areas.  Emma really isn't the problem.  It's that Sam is barely holding things together (this is using rational logic based on his supposed condition) and needs Dean to have his head in the game.  Desperately needs.  I think Sam truly knows that he could easily crack at any given moment.  Again, I'm speculating, since THERE HAVE BEEN NO OBVIOUS SIGNS. 

Plucky Pennywhistle's Magical Menagerie

Just like with Dean, this doesn't fall in any character arc or follow any rational pattern.  It's a standalone.  While I do admit that perhaps Sam's fear of clowns was a little overplayed, I loved it.  After all, this was the guy who saved the world a couple of years ago.  The tough as nails hunter who can take anything dished out to him.  What in the world did clowns do to him as a child that has him quivering like a jellyfish every time he spots one?  Not just a clown either, but clown logos and drawings on the wall.  Heck, he fell apart in the motel room just talking about clowns on the phone with Dean. 

It's also fitting that Dean, the menacing older brother, would continue to exploit this fear as well for his amusement.  This episode could have been a disaster in epic proportions like "Season Seven: Time For A Wedding."  Luckily, it wasn't and in the end Sam was actually a better man because of his ordeal.  A glitter covered man, but that made it all the more fun.  Thanks to the inconsistent plotting of this show, it doesn't last and really doesn't amount to anything.   

Repo Man

FINALLY!  From a Sam Winchester perspective, this was the payoff we've been desperate for ever since Ben Edlund artfully showed us Sam's psychosis in "Hello, Cruel World."  The question is, why oh why didn't ANY of the other writers follow his lead?  Why tease us so cruelly for two seasons with all the statements about the ramifications of the wall falling in his head to only in season seven show it in two masterfully penned Edlund episodes?  I feel like Edlund's giant teddy bear in "Wishful Thinking."  Why????     

After twelve episodes of ranging from doing great to perhaps Sam is having minor struggles off and on, what's really happening in Sam's head is revealed in all it's disturbing detail.  It's really stunning that Sam dealt with these vivid hallucinations so well.  Or at least hid if from everyone so cleverly.  What's happening is very intense and so far from normal it's inconceivable that one person could hide this for so long.  There should have been at least some sort of sign other than the occasional hand grab.  It's quite maddening going from the over the top clown trauma in "Plucky Pennywhistle's" to this disturbing level of psychosis in "Repo Man."    

I get that Sam is not an ordinary guy.  He's endured nothing but horrific ordeal after mind blowing trauma and I've been raising the question for years why isn't this guy in a mental institution by now.  His threshold for debilitating crap is clearly through the roof, almost making him superhuman.  He certainly handles the extreme number of blows to the head he's received very well.  But still, extreme psychosis like this without discussing it with Dean or seeking any kind of help (I would have bought him at least self medicating) is pushing our limits of believability.  

Look how easy Lucifer was able to slip in and twist Sam's madness to new crushing heights?  All Sam did was give Lucifer one "shut-up" and suddenly Lucifer has control.  Sam has just assured his undoing.  It's so tragic, so stunning, so real in these types of conditions.  Sam was all this time a very mental sick person, teetering on a very dangerous edge. Which is why I must scream again, WHY WERE WE SUDDENLY BLINDSIDED BY THIS?  If the writers thought it would be fun to conceal this from us, with little to no clues, then go "Surprise!", they made a very grievous mistake.  This is a drastic disservice to the character.

None of that rant though is a reflection of this brilliant episode.  I still shiver at the thought of poor Sammy sitting on the bed while Dean sleeps, the flood of memories of Hell coming back in full force.  He's bathed again in Hellfire, and Lucifer's "Good Morning Vietnam" gets him cringing in total fear, and he's not allowed to sleep.  Oh, Sammy, come back to us.  The fact that Dean's none the wiser makes this 800 times more tragic.

Out With The Old

From Sam's perspective, I liked what was shown in this episode.  His condition has taken a tragic turn, his grip on reality is slowly slipping away, and he even tells Dean about it.  Who does nothing.  Oh man, the brotherly bonding possibilities here are totally wasted.  

This episode was clearly the transition episode in between "Repo Man" and "The Born-Again Identity" and it served Sam's story well.  It shifted the POV from Sam internally back to the view of the outsider.  Dean's story ended up being the total travesty, but I've already covered that.   

The Born-Again Identity

I get the intention.  Sam has given up.  That's exactly how he should act.  He's too tired, too disoriented, and after fighting what's in his head for a very long time alone he has no fight left.  There are no options to fix his very human condition.  It's hopeless and he's ready to die.  This is what happens when a human has to share space with Lucifer.  Castiel was right. 

Nobody writes Sam Winchester better than Sera Gamble...until now.  This was supposed to be Sam's ultimate breakdown.  Seven seasons of every freaking tragedy imaginable hitting this guy and now in what is a very logical progression, there's nothing left of his sanity.  Even worse, it's affecting him so bad that it's going to kill him.  The setup is perfect! 

So why did this fail?  Easy.  You can't have a main character tragedy of this magnitude in "Supernatural" and minimally show the brotherly bond.  One scene.  That's all we got. I mean, Dean disappears and leaves Sam alone to rot in the mental institution, waiting mercifully death the happen.  He didn't even try to call.  Considering every single week from "Adventures In Babysitting" to "Out With The Old" Dean checked in with Frank Deveraux, he can't check in on his own dying brother?  It makes no sense.  One broken cell phone is hardly a deterrent.  Even in "When The Levee Breaks" when they spent most of the time apart they were still fretting over each other in a very dramatic way.

When building up to a long anticipated scenario like this, I get it, expectations are high.  After all, we have been chomping at the bit for almost two seasons now waiting to see this happen to Sam. But why did this have to be coupled in the same episode with Castiel's return?  Why did Sera Gamble think it would be compelling to show Dean going off to find some miracle cure and work out his Castiel abandonment issues while Sam faced death alone?  Who would imagine that the same writer who so beautifully gave Bobby Singer the most poignant, emotionally crushing, sentimental hour long and well focused send off couldn't do a fraction of that for Sam Winchester?  

The deeper I dig into the analysis of this episode, the more dismayed I become.  So little made sense and too much was sacrificed   Take the opening scene in the back alley, which is quite stomach churning to see how low Sam has sunk.  It's shocking and very effective.  Why was Sam alone?  By the time Dean finds him at the hospital, Sam has already been treated for physical injuries, it's been determined his mental state is causing his symptoms and they've committed him.  That's easily a 24 hour if not longer process.  Shouldn't they have tried to find the next of kin?  Dean let Sam go away that long?  Why didn't we see any of that play out?  Did Sam ask for Dean in the hospital, and did Dean go through a big frantic search trying to find Sam?  Remember "Born Under A Bad Sign" where Dean is going out of his mind over a missing Sam?  We couldn't see that here?   It's perplexing since Sera usually isn't that sloppy with details like this. 

What was Sam's motivation for going on?  Why didn't he just follow Lucifer's advice at that point and blow his brains out?  It would have spared him.  He's clearly not doing this for Dean anymore.  He told Dean to give it up and his brother left him.  Sure he had a nice distraction and got to help Marin, but that was short and he didn't get any type of will to live from doing that.  The exercise did nothing to help his character, only tells us what we've always known about Sam, he's a hero.  

The ultimate insult is at the end.  Sam has progressed into a catatonic state, aka the "drooling mess" that's been prophesied for a long while now.  They can't show Dean giving more than one sentence of concern?  Remember "When The Levee Breaks" when Sam has his terrible seizure?  How terrified and shaken Dean was over just watching Sam go through that?  It's those little touches that were missing in this episode and the omissions were glaring.  

Then Sam is spared thanks to a quick fix from Castiel.  I accept that the writers wrote themselves into a corner and had no easy way of getting out of it, but that quick fix had very little pay off other than one great scene with Sam and Castiel later.  Nothing satisfying happened emotionally or character growth wise.  Sam's cured and they're quickly out of there without showing him get any sort of rest or a clean bill of health from the doctors.  Dean instead of grateful for having his brother back gives Sam a bunch of hard nosed crap about how they're targets and need to leave Castiel there.  That's the end?

I doubt this was intentional, but as a result of this choppy and ill conceived mess, Sam Winchester turned into more of a cartoon characterization than a believable human being.  He suffers horribly and the only person in his life that he lives for can barely muster concern for him.  Then an angel fixes him and his suffering was for not.  We have zero understanding why he's going on.  I don't know if that makes Sam look stupid or aimless.  I know one thing, he's not coming across as heroic or self sacrificing here.  This is what happens when good characterization goes bad.  

Party On, Garth

A massive missed opportunity.  Sam's entire recovery was limited to one line.  He's getting better, but he feels like the tape from "The Ring."  The crazy has been passed on.  Otherwise, it's business as usual for Sammy.  

In watching this episode, I remembered "Playthings." That was one of the few times we've seen full fledged drunken Sam.  He was clearly despondent back then over his "destiny" and what dark and diabolical plans the yellow-eyed demon had for him.  He made Dean follow through on his promise to John to kill him if he went too far.  It was a moment.  Sam and Dean could have easily had the same moment here.  They could have gotten drunk to see the Shojo and that's when Sam openly confesses how the entire ordeal in the institution still has him scared.  Or that he's still not okay.  Nope.  Heavy sigh.  

What else I didn't like was the rehash of Sam and Dean's conversation about Bobby from "The Slice Girls."  Sam's mind hasn't changed.  It can't be Bobby.  Um, why not?  Sam's usually far more open minded that this, even after a major crazy trauma.  He's also a lot smarter with his conclusions, like perhaps the flask wasn't around when he tried to contact Bobby.   

Of Grave Importance/The Girl With The Dungeons and Dragons Tattoo

Sam didn't get any kind of story here other than follow the bouncing ball of the case, ask questions to Dean about making Ghost!Bobby work, then fretting it won't.  You know, because Sam's an optimist but also a realist.  Just like Dean, we don't know which Sam is showing up each week either. 

Reading Is Fundamental

It's very in character that Sam forgives Castiel and not because of him taking away his crazy.  It goes all the way back to "Meet The New Boss."  Sam understands the concept of making mistakes in the past and deserving the chance for redemption.  But Sam and Castiel both share the extraordinary perspective of insanity and thankfully this was not forgotten.  They talked about it, and their short conversation gave us so much in so little time.  Sam is still very shaken by the entire ordeal.  It was beautiful.  It's also not enough, or perhaps too little too late, especially when Dean heard none of it.  


There Will Be Blood

Well there's...um...then that...er...at least Sam got to chop off Edgar's head.  

This episode featured the return of anxious, worried, pleading urgently for the betterment of humanity Sam.  He hasn't been around since the end of season five, right?  Just checking.  Not that I didn't enjoy seeing this Sam again, but where did he come from out of the blue like that?  

Survival of The Fittest

Sam is pretty much cured and well adjusted at this point.  There's no hope of going back.  If they did, then it would seem as though their rehashing ancient history.  The Sam is crazy ship has officially sailed.  

I'll tell you what was most interesting about this setup.  Season seven's objective was the take everything away from Sam and Dean, strip them down so bare that in the end all they had was each other.  The hope was together they'd be stronger, and their bond would be better than ever, but at the end they acted more like seasoned co-workers than emotionally connected brothers.  They're better hunters, but not better brothers.  

By the end of the season, the only thing left to be taken away was each other.  It was hinted heavily that Dean would be the last man standing, especially when Sam was struggling with his mental stability and near death issues.  So imagine our surprise when the last man standing turned out to be Sam.  This does create some amazing possibilities, especially when we didn't see this coming.  Sam certainly didn't.  How does he exist as the lone hunter, taking on the monsters that still roam the earth?  He doesn't have Dean, Bobby, Castiel, Rufus, Frank, or anyone to rely on other than himself.  Is he up to the task?  Judging by his devastation over Dean's disappearance, there might be an adjustment period. 

  

Season 8?

On top of everything shared here with the individual episodes, I didn't like in season seven how Sam was in reactionary mode most of the time.  This has been said many times on this site throughout the season, but the concept of story driving the characters instead of characters driving the story has done both Sam and Dean a great disservice.  It was a worthwhile experiment but clearly doesn't work in this landscape. 

Sam had plenty of struggles and now matter how much I point out how poorly developed and executed those story lines were, they're over and he's come out the other side.  He's stronger now.  Supposedly.  It's fascinating the possibilities of what kind of Sam Winchester can come from this.  Hell is behind him now, so is the wall.  There's only one way to go now, strengthen that bond with Dean.  Of course, he has to get Dean back first.  How will he handle that task?  Will he cross lines again? 

There's a number of things I can put on the wish list, but I'd rather let the new creative team have their way.  I think they know what's wrong, and know fans would like to see Sam and Dean take front and center again.  Their layers need to be exposed again, and if that means slowing down the MOTW or mytharc stories so be it.  I'd also like to see Sam connect with people again and not be so isolated from others.  They keep saying that Sam is the human one and the more sympathetic brother.  If that's true, it's about time they start showing it.  The boy has suffered enough. 

Coming up next, my review of season seven.  Failures in characterization weren't the only the burdens.  

Here are the previous "A Deeper Look at Sam Winchester" articles from other seasons:

Season Six
Season Five
Season Four
Season Three