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  • “Get a Room!” Supernatural’s Season 9 Motel Rooms - Part 2

    Browsing the SupernaturalWiki site, I noticed that the motel room descriptions stopped after season eight. 
    The advent of the bunker seriously negated the necessity for the boys to be on the road and at the mercy of tacky motel rooms. 
    Jerry Wanek, set designers and artists create atmosphere, add character depth, and enhance themes with their painstaking and creative designs.
    In Part 1, we looked at the motels from "Dog Dean Afternoon", "Rock and a Hard Place", "Holy Terror" and "The Purge".

    So let's get started on the rest of the irresistible decors of season 9!  

  • "Hello, Cruel World" Review: Body Blows



    Anytime Ben Edlund's name appears as writer for an episode, I know that I will be either laughing till tears run down my face or crying as my heart breaks. "Hello, Cruel World," is most certainly the latter. Pair an Edlund script with the directorial skill of Guy Norman Bee, and Supernatural hits the jack pot every single time. If it was Edlund's intent to break every Supernatural fan's heart with this particular episode, he did that and more. For good measure, he twists the knife deep a few times. He also never lets up. 
     
    His first strike comes from Castiel. The blow is heavy and hard. The Leviathan trapped within the angel's vessel are barely contained. At the crucial moment when they could have finished both Winchesters and Bobby off for good, they are instead forced to retreat. Their black ooze is leaking out, as Castiel is about to explode. He eventually ends up walking into the local lake, which happens to also be the water supply. At this point, almost reminiscent of "Dead in the Water," the Leviathan pour forth from his body and infect the pipes, possessing any who drink the water. 
     
    The body blow here isn't just watching Castiel disappear into the water. It is the trench coat that floats up left behind. Dean picks it up with tears glistening in his eyes, and mutters, "Dumb son of a bitch." 


     
    Dean's anguish here is palpable. It is understated, but raw. Dean doesn't show his emotions as blatantly as he has in the past when Sam died in his arms in "All Hell Breaks Loose I." It is quiet, reserved, and almost resigned to the fact that he has lost one of his friends---and brothers. They may have been on opposite sides until Castiel agreed to return the souls to Purgatory, but that didn't change Dean's feelings---he cared for the angel and losing him hurt more than he cares to admit. After all, he wouldn't necessarily be topside at all if it hadn't been for Castiel. 
     
    They've watched their angel friend possibly die---or become something far worse, too. Only time can tell, but it isn't hard to figure out that Castiel's vessel has now become the vessel for the Boss Leviathan. That remains a mystery yet to be solved, but it's a possibility on the table that makes the scene hurt all the more. 
     
  • “Get a Room!” Supernatural’s Season 10 Motel Rooms - Part 1

    Jerry Wanek, set designers, artists and scouts create atmosphere, add character depth, and enhance themes with their painstaking and creative visions and designs.  In attempt to pay tribute to the Set designers and Location team, I offer this series of articles.

  • 7.01 Review: "Meet The New Boss"




    Thoughts on Meet the New Boss

    Welcome back, fellow Supernatural  junkies! It's been a long, dry summer without a weekly dose of Winchester.

    We start off right where we left off, and immediately Cas recognizes that the boys are placating him with insincere kneeling. The fact that Cas stated he didn't see the point in Bobby, Sam and Dean kneeling before them out of fear, when it should be love and reverence gives me hope that somewhere in this season the old saying may prove true once again: love conquers all. Well, the episode started off with quite the emotional bang "“ personally I loved Cas as he was and this new God-complex distressed me greatly in the opening segment. The nasty cherry on top?  Sam collapses and the hits keep coming. 
  • 7.02 Review - "Hello, Cruel World"

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    Season seven, episode two: it's a bit surreal to type that about Supernatural, because it's hard to believe the brothers Winchester have been gracing us with their presence for the better part of seven years already. But seven years or not, this season has the makings of a champion run. It may be premature to say this, only two episodes in, but so far this season feels on par with season four, which was my personal favourite overall. So, what did we think of episode two?

  • A Dean and Castiel Timeline, Part One



    After the S6 finale, I saw a lot of discussion on the concept of Dean and Cas as family, particularly the validity of Dean's assertion that Cas was like a brother to him, and Cas's echoing of that sentiment.  And I started thinking (rarely a purely good thing) , I have also frequently wondered about the bond between Dean and Cas, and as the seasons progressed have many times been confused by the growth of their friendship.  I never doubted the bond and friendship existed, to me it's always been self-evident.   I just frequently lost track of the "how's" of the development.  So I pulled out the DVD's beginning with S4 and started watching.  And analyzing.  And studying.  And discussing it with a friend and fellow fan.  And then got confused again.  So I decided to write out a timeline of every episode Cas has appeared in since he met Dean, focusing separately on Dean's perspective and Cas's perspective (I'm just a little OCD) , and mostly excluding Sam from the discussion for the sake of my sanity.  And then I decided to share it.  The following article is part 1 of a planned 3 part series, beginning with season 4.  
  • A Supernatural Symphony



    From the instant that little Fish (for which somebody had big plans) crawled out of the primordial ooze, and learned to squeeze air past a rudimentary set of vocal chords, we humans have been sharing our stories.  We tell stories for a myriad of reasons, but mainly to entertain, to enlighten, to educate and to explain (often in a plea for understanding).  That's what Cas was doing as he spoke to God, and as he pleaded with the Brothers Winchester and Bobby, from inside a circle of fire, from inside a house covered in sigils, and from inside the dirty garage of a scrap yard.

  • A Tribute to the Badass Men of Supernatural - Part 1

     After I made "A Tribute to the Kick-Ass Women of Supernatural" and part 2 , I wanted to write a similar article about men. I value both in Supernatural because the show has some of the most remarkable guest actors and actresses, so the loss of both are deeply felt. I decided to use the same criteria as I had in my first article. I chose the male characters that had a great impact on me and were also Badass on their own accord.

  • Auld Lang Syne: Bardicvoice's Favorite Supernatural Reflections

    For my "old long ago," I blew the dust off my two 2013 dissertations on the show's use of angels  - one as a group, and one specifically on Castiel - to set the stage for a "new, more recent" look at what the show has done with angels since then. While I organize my thoughts for an update on Supernatural's latest angel entourage, enjoy revisiting my past angelic musings - and that amazing linked 2009 Mo Ryan interview with Eric Kripke!
  • Auld Lang Syne: Supernatural "H-Day"

    In the late half of Season 9, I decided to do something I'd never done: participate in a Supernatural Fan Fiction contest. I resolved not to do any slash but instead write up a big budget, movie style, possible "finale" to the show which tied up loose ends.  I chose it as my Auld Lang Syne feature article not only because it was a lot of fun to write (and had some great artwork by neigeausoleil) but also because it's somewhat humorous to look back two seasons later to see what I got wrong about the show's future plots... and what I ended up getting right.
  • Castiel Plays Caption This!



    Here's a really fun twist on today's "Caption This" courtesy of guest contributor FS425.  Castiel plays "Caption This!"  The angel certainly has a lot of one liners to draw from.  
  • Elle's Review - "Free To Be You and Me"

    I'm very proud to announce that Elle has offered to step in and do the episode reviews until elle2 returns. She sent me her first one for "Free To Be You and Me." I'm thrilled with her point of view, so enjoy and tell elle what you think.

    Thoughts on "Free to Be You and Me"


    Overall Thoughts:


    THEN: We are forced to relive the downward spiral of the brother’s relationship and the splitting of Team Winchester from last week’s episode. This episode served as the ideal continuation from last week’s devastating ending. Though it was sad to see the brother’s separate, after seeing this week’s episode I am even more certain it was necessary. I think Sam needed to be on his own to make the realization that he could be strong enough and that he could learn to forgive himself. For Dean’s part, while I can’t imagine that Sam wasn’t still on his mind 99% of the time, the tension-free environment was ideal for gaining perspective on a very messy situation. I truly believe that when the boys reunite (and notice my use of “when” not “if’), they will be better for their individual experiences.




    Music:

    -          “Simple Man” by Lynyrd Skynyrd, in my opinion, was very well used in this sequence cutting between Sam and Dean. I’m not a classic rock expert, but it worked for me! It is only episode three so this may be a premature assumption- but it looks like our wish for the return of classic rock has been granted!

    -          The instrumental music during Sam and Lucifer’s conversation at the end was brilliant. It was just the right mix of eeriness, mystery and tension.

    Minor Characters:

    -          Hunter Trio -not much to say about them, but as a vehicle for getting Sam to a better place, I thought they were effective. It couldn’t be a demon; it had to be a human catalyst to convince him that he could change. That’s just what these three were.

    Lindsay:mostly, she really annoyed me - so nosy and determined to cozy up to Sam that I was POSITIVE she was a demon - my money was on Meg. She sort of bugged me actually, too eager. Although, with Sam as a bartender, I’d find a reason to cry into a few cocktails just to be near him! I bet nosy wished she’d never talked to Sam beyond drink orders after that knife was held at her throat. Lindsay did serve a purpose - telling Sam that even he could be forgiven and that he could change - I think this affirmation helped him later as he spoke with Lucifer/Jess.

    SAM: “People can change. There is reason for hope.”

    The opening scene with Sam and Jessica set a sombre, sad tone. When Sam first lays eyes on Jessica, the love and relief on his face is heartbreaking. He’s missed her. Her name isn’t mentioned much these days, but from the expression, we know (not that we doubted) she’s never been a far away thought. I suspected that perhaps Jessica was Lucifer or some other entity meant to manipulate, but regardless I enjoyed seeing the intimacy between the two. “I miss you, so much.” Viewers weren’t privy to much of their relationship, but the tenderness was visible in the dream-sequence here.  Calling Sam out for his actions; perhaps reflecting his own internal thoughts on what’s been happening?

    It’s interesting the parallel that’s drawn between Sam leaving hunting now and back when he went to Stanford. I think Jessica (even though she is really Lucifer) sums it up nicely -“different verse, same song” - bottom line, leaving doesn’t fix the problem, it just delays the inevitable and eventually, life catches up with you, no matter what. Jessica’s words aren’t surprising to Sam from his expression; he’s had these thoughts - he knows that he can’t run forever, but he’s in denial. He chokes back the tears, conflict easily read on his face.

    Sam is clearly lost; he looks especially torn as he watched the three hunters walk away from him at the bar. Sam’s struggle with the other hunters was sad, but in a way I think it was cathartic for him. He said aloud what he’d done, admitted it. He fought and helped Lindsay without using any kind of powers, only his skills as a hunter, and what’s more, he didn’t consume the demon blood even when it was literally forced into his mouth. Sam needed this to happen; just like Dean needed a dose of reality back in It’s a Terrible Life. Hunting is his life. That’s all there is to it. Sam iscapable of helping people without demon-juice and now he knows how strong he is capable of being; strength of will. Sam resisted the greatest temptation there will ever be - the blood was physically in his mouth and he chose not to drink it, not to be that guy again.

    DEAN: “Eat it, Twilight!”

    The sequence after the teaser, cutting between Sam and Dean was a fantastic technique. Dean in the opening sequence reminds me much of how he was in season two after John died. Systematically hunting everything and anything, recklessly even, in an effort to escape his own feelings. The scene where Dean cuts into the vampire and the result is blood on his face is reminiscent of “˜Bloodlust” - Dean is not in a good headspace.

    This week, instead of Sam and Dean, we had Dean and Cas whose friendship, tentative though it may be, is intriguing and moving to watch. In this human world, Dean can function as a guidepost for Cas, who is very much out of his element. (I would have loved to witness the personal space conversation.) Castiel asks for Dean’s help, because he’s the only one who will help him, and Dean caves. What was most affecting about this exchange was Dean’s silent moment and the way his face softens before he vocalizes his consent to help Castiel.

     Dean understands what it is like to have (or at least, to feel like you have) nobody else to lean on, to have nobody by your side. It’s clear that there is affection between them, and I can’t help but wonder, given that the THEN reminded us of Castiel’s speech last week, if Dean isn’t motivated here because he feels guilty and obligated. It definitely wouldn’t be out of character for Dean to shoulder the guilt that Cas (somewhat unreasonably, though understandably) laid at his feet in the hospital last week. On the other hand, Dean is finally needed again. It’s been a long time since someone asked him for help, since someone needed him. Also, kudos to Jensen for delivering the “I didn’t poop for a week” line; I bet there are great outtakes of that one!

    I found it interesting that Cas’ hooker lead to the mention of absent fathers and then later Cas and Dean compared missing dad stories. Dean and Castiel have a lot in common, more and more every episode. The parallels between the Winchester family and the battle of the angels doesn’t stop there. Raphael talks about how his “˜father left them with no instructions’ and I can’t help but think of Sam and Dean back in season one faced with the same scenario.

    The roles Dean and Cas have taken on in relation to one another this season is different than before - Dean is almost a mentor to Castiel and at the same time, Castiel fills the part of Dean that needs companionship when Sam is unable to fill that role. Regarding Dean’s confession to Castiel that he felt better without Sammy; I didn’t believe it for a minute. Sounded like an attempt to convince himself things were better off this way when in reality, the experience with Cas made him miss Sammy all the more. I do believe it was a relief from the tension and strain that had existed between Sam and Dean for the past year, which had become especially taut since Lucifer Rising. This is a scenario in which Dean is assessing things based on the respite he is feeling being free from that long-term disconnect that has hung as a shadow between the boys, and is thus not a legitimate feeling, but a transient one that will quickly wane. In fact, from the look he gave the empty seat after Cas poofed away, I’d say he’s not far from that now. 

    CASTIEL: “But today you’re my little bitch.”

    There are no words to express how much I love his “human moments” - I truly hope we continue to have them and they don’t socialize Cas too much. The relationship between Dean and Castiel in this episode shifts dynamics to a certain extent.   Dean is without his right hand and while he is capable of functioning solo, we know he prefers not to. The relationship between Dean and Castiel has a different dynamic this season because they have no choice but to trust each other and share information. Also, Dean’s wit is always about ten times better when Cas is confused by it. Thelma and Louise - not quite as funny as the God-on-a-flatbread exchange, but definitely up there in my books.

    The seriousness of “and the officer will tell us where the angel is” - well done, Misha! His acting was fantastic in this episode. I always think he is a great actor, but I thought he upped the game here; the deadpan delivery and comedic timing was awesome. The rhythm between Misha and Jensen in this episode reminded me of season one, with Sam and Dean. It was nice to have this tempo re-established, even if it wasn’t actually the boys themselves.

    While the whole de-virgining of Castiel plan was hilarious to watch, it brought us to the point where Dean realizes just how long it’s been since he’s laughed and that was a sad moment. Watching Dean and Castiel’s adventures- Dean giving Cas the money and the advice about dealing with the lady - very older brother to me. I think part of the reason he enjoyed it so much was because Dean falls best into the role of caretaker and older brother; he’s hardwired this way. (And who didn’t love when Dean shucked the blame on Castiel for trapping Raphael, complete with the annoyed look that Cas shoots him? Very older brother in my opinion.)

    Bad Ass Cas is my favourite, hands down. And he latinated! Sigh.He’s one spin behind the wheel of the Impala away from being an honorary Winchester. (Now, for the sake of the Impala, let’s hope the angel who can’t even hold his faux FBI badge upright, never perches in the driver seat.)

    I have to appreciate the symmetry of Castiel confronting the “brother” who betrayed him at the same time as Sam and Dean have split. Family issues abound this season. Raphael was a scary dude - don’t want to meet him in a dark alley! This episode goes to Misha, who was all around superb in every scene, particularly as he walked away from Raphael in the ring of fire.

    LUCIFER: “You’re the one Sam. You’re my vessel. My true vessel.”

    Jess as Lucifer threw me, I’ll admit. I entertained the possibility that this was Lucifer initially, but given the dark lord’s insistence that he didn’t and wouldn’t use lies or trickery to reach his endgame, I disregarded him as a candidate. Stupid me. The character of Lucifer is really growing on me - I am enjoying the understated nature and gentleness, even, about him. Though we know he is Satan, he doesn’t ooze pure evil in the way that previous big bads of the Supernatural world have. For the most part, Lucifer is very up front - lays everything on the table. This is a character whose arc is going to be fascinating to watch. Mark Pellegrino plays it well too. I’ve not seen his previous work, with the exception of one episode of Lost, but he plays it with a subtle charm. I like that Lucifer, unlike most demons, doesn’t tease and taunt. Things just are - he’s very matter of fact about things and even enticing with the sly, manipulative empathy he extends.

    “Cause it had to be you, Sam. It always had to be you.”

    Damn you, Kripke! To leave us on that ominous, diabolically clever note?! Pure evil genius. Lucifer’s words echo, practically verbatim what Ruby said to Sam in Lucifer Rising and I can’t help but speculate on the demon prophecy out there with Sam’s name on it as a key player. This was destiny perhaps long before Mary made a deal with a yellow eyed demon. Only in episode three and already this season is brimming with the potential to be even more epic than season four.


  • Elle's Review - Thoughts on "My Bloody Valentine"

    Thoughts on My Bloody Valentine

    How we are at episode fourteen of season five already, I'll never know. The last four weeks have flown by in a whirlwind of mytharc and emotion. I truly enjoyed this episode. Coming off last week's heart-break, the humour was much appreciated. The gore, much less so. Several watches under my belt now and this episode still requires the tissue box be close at hand. This review practically wrote itself because the episode was so rich in material, offering something new with each viewing. So without further ado, here we go.
    Teaser - "I want you, all of you, inside me."
    Cannibalism is possibly the most disgusting things ever and now I've seen it in full drippy red detail twice on Supernatural. While Metamorphosisstill takes the cake for gore factor, My Bloody Valentinefollows in a close second. Repugnant though it was, the opening sequence of this heart-wrenching (forgive the pun) episode was exceedingly well executed and most assuredly grabbed my attention.  With an opening act as visceral as this one, only a show like Supernatural could make the delightful cherub postcard as disturbing as the one Sam studies at the crime scene.
     
  • Elle's Review: Abandon All Hope

    I was very pleased to get a review from Elle on "Abandon All Hope."  It's one of those episodes that takes a while to sink in, so I'm thrilled she took some time to absorb it all and come up with this great review. 

    Before I present Elle's review though, I should note that Tigershire let me know about her review for this episode at her blog.  So take time to check this out as well, for she too has some great thoughts regarding this saga.  

    http://tigershire.blogspot.com/2009/11/abandon-all-hope-review.html

    Also, my recap is coming.  I did make some progress on it today, so hopefully it'll just take another day or two.  The pretty boy screen shots are what's taking the longest amount of time.     

    Okay everyone, enjoy Elle's analysis and send some feedback her way! 

    --------------------------------------------------------

    Thoughts on Abandon All Hope
     

    The typical method for writing my reviews is taking a second or third watch of the episode and making notes as I watch. However, I found that with this episode, that method just wouldn’t work. Abandon All Hope… is one of those episodes that cannot be experienced in fragments and doesn’t lend itself to note-taking because you find yourself too absorbed, too invested to either pause or remember to make a notation. In fact, I spent the majority of time standing in front of my television tense and anxious and only looking away from the TV in order to retrieve a tissue and sop up the tears. As frustrating as it is to have a hiatus in Supernatural, this was the ideal place for it fall because AAH takes time to process.

    Traditionally, episode ten of Supernaturalincludes a huge reveal, an emotional bomb or a significant cliff-hanger. In years past, episode ten has brought us the John-finally-calls-the-boys hanger, the “dad told me I’d have to kill you” bomb, the Dean-will-become-a-demon-in-Hell shock and the Dean-was-in-Hell-for-40-years-&-tortured-souls reveal. In the case of AAH, we got all three. Abandon All Hope…comes from Dante’s Divine Comedy and is allegedly the inscription found at the entrance to Hell. It is a fitting title, as we’re at the half way point of season five and arguably on the threshold of a full-scale apocalypse (because, until this point, the apocalypse has been partially present in select arenas).

    The opening sequence of this episode caught my attention – it was a clever use of the highway overpasses in the cross-road summoning ritual. Further to that, we have the delightful Mark Sheppard as Lilith’s right hand, the demon Crowley. A charming, manipulative demon who is quite content to exploit the homophobic nature of a fat-cat bank executive to make a deal. This is a demon who enjoys his existence, further evidenced by his lavish household, and when he later hands the colt over to Winchester brothers it is believable that he truly doesn’t want the world to end – certainly not this world which he has grown quite fond of, especially the lovely playthings in that world known as humans. This character brought to mind a quote from one of my favourite (small-s) supernatural characters, Spike: “We like to talk big….’I’m going to destroy the world.’ It’s just tough guy talk…the truth is I like this world…you’ve got people. Billions of people walking around here like Happy Meals with legs. It’s all right here.”  Happy Meal part aside, the same logic applies to Crowley’s decision to aid the Winchesters – status quo works for him and he isn’t eager to change it.

    Also,  and he’s later proven very right on this front, Crowley knows that Lucifer doesn’t hold anyone aside from himself in too high a regard. So if he takes out humans now, it’s not a far leap to see that demons will be next on the chopping block. Admittedly, when he first handed the colt over so easily, I couldn’t help but think we were going to have a retro-Ruby moment and was glad to see it didn’t go in that direction. This demon’s motive is purely self-survival, nothing more, nothing less. Crowley did have some choice dialogue in his few minutes of screen time and he succeeded in catching Sam and Dean off guard which is a rarity. Crowley would be welcome as a returning character – he’s quite dynamic.

    For Castiel, this episode was more a teaser about what the future holds for his character and his waning angelic qualities, both internally and physically. The levity of the exchange between Cas ‘Huggy Bear’ the Angel and Dean was a nice reminder of Castiel’s continued innocence in some aspects of his existence. Further to this, we had Ellen and Jo trying to get Cas drunk by feeding him shooters. This was a great moment, especially Cas’ glee at being a part of this human ritual – “I think I’m starting to feel something.”

    Exchanges between Castiel and Lucifer were incredibly gratifying. Castiel was in the ring of fire for a change and I have to take a moment to appreciate the cinematography of the scene while he’s in that ring. It was a beautiful scene, the shadows and flickering firelight set an ideal ambience for the discussion between Cas and Lucifer. Here, Castiel demonstrated unwavering loyalty to Sam and Dean and the cause for which they are fighting. Castiel is a learner – that much we have seen. His little unscrew-the-bolt trick goes back to On the Head of a Pin only this time it worked in his favour as opposed to against him. He did seem surprised that his exorcism-touch wasn’t working, but perhaps he’s been hanging out with the Winchesters too long, because his improvising was magnificent. Using Meg as a bridge over the fire was a powerful moment on the screen – her screams as he steps over her burning body and out of the ring of fire, all the while a look of focused and fierce determination on his face. Scary.

    This episode drew a lot of parallels between Lucifer and other characters – Lucifer is fond of this technique to draw people into his web. He used it on Nick, he uses it here on Castiel and then again later with Sam. This mirror effect is meant to play on the like-attracts-like philosophy whereby one can more readily sympathize or ally with one in whom we see ourselves reflected. Simply put, Lucifer is a master manipulator.  Lucifer’s continued and disquieting calmness as he matter-of-factly carries out his plans piece by piece keep this character intriguing. We know he’s evil. We know he’s calculating. However, it’s at a completely different level than we’ve seen any other character on this show. Consider when he refers to Meg as “my child” and cups her face as though he truly was a father addressing a child. He knows he has power over them but he chooses to exploit it not in an overt way, rather opting for a subtler manipulation by playing into the idea that he is the demonic messiah. What is especially unique about Lucifer is that he never expresses anger; he never loses control of himself. In other situations, characters emotions can often be their downfall. For Lucifer, I suspect that his ultimate weakness is that which already caused him to fall once before – his pride. He is supremely confident that everything is going to fall into place just as he needs it to, including Sam’s eventual acquiescence.  

    The colt not working didn’t surprise me nearly as much as when Dean pulled the trigger. I was startled that not only was he able to get close enough (I’m pretty sure the Winchesters could give the CIA stealth lessons) but that he actually managed to shoot. Of course, since Lucifer is “one of the five beings” the colt doesn’t kill, the point is rather moot.  (I did find it curious that Lucifer could repair the bullet hole through the centre of his vessels skull and yet the peeling skin on his face and hands poses an issue. Hmm.) Lucifer’s monloguing, unlike the traditional MOTW who stand still and goes on ad nauseum, took place as he continued with his ritual and his words “they’re just demons” really says it all. Lucifer is out for number one and that’s it. Crowley hit it on the nose in predicting Lucifer’s affinity for the demonic population only extended to their usefulness as minions and nothing more. His indifference to everything and everyone, including his own “people” makes him even more disturbing a character – Lucifer is a sociopath if ever there was.

    The group photo at Bobby’s before the hunters with an angel in tow headed off to war (more or less) was very foreboding. We saw this photo once before in The End when Dean played flash-forward five years. If we didn’t know it was going to be a hard-hitting episode, this should have been the final clue. The return of the hell hounds was well executed. Dean’s obvious issues with them were subtle but duly present. Despite the invisible demon-canines, the group opted to shoot they’re way out of the situation and make a run for it. When Dean was snagged first, my heart leapt to my throat. And when Jo turned around for him, I knew it was all over. This was the moment. This moment on the street with Meg and the hellhounds and the subsequent barricading into the hardware store was delivered remarkably. It was fast paced, intense but not contrived in anyway.

    Of course, once inside the hardware store, the writers hit the emotional overdrive button and let loose. First, let’s take a moment to appreciate that Dean rigged a two-way radio in a matter of minutes in the middle of a crisis situation. If I’m ever stranded on a desert island, this is who I want with me. (Who am I kidding? I’d take him to the island with or without his technical genius). While some may not have felt Bobby was well used in this episode, his Giles-like role worked for me. The conversation between Dean and Bobby over the radio had my insides twisting. Jensen always does the emotional scenes so, so well and this was no exception. Bobby got Dean back on track as he was having difficulty thinking straight beyond what was happening to Jo and he proceeded to let them know which big-bad had drawn Lucifer to Carthage.

    Death scenes, when they’re done right, are raw, painful and remembered. The death of Jo and Ellen will be one of the most memorable moments in Supernatural history. Primarily what worked was that Jo didn’t give a long, self-sacrificing speech. She was practical and though Ellen’s motherly instinct warred with her at first, in the end, Jo’s plan was what they went with. The moment when Dean kissed Jo’s forehead, all semblance of my self-control was gone and the tears were streaming. Eventually, this became out and out sobbing and I had to sit down as the emotions totally overwhelmed. Their silent goodbye was beautiful and absolutely fitting. What’s more was Jo’s intuitive reading of her mother’s face to know that Ellen wasn’t going to leave her. The final moments of Jo and Ellen’s lives are difficult to completely capture with words. When Jo was gone before the dogs came in and Ellen kissed her, saying “that’s my good girl” – there really isn’t a way to describe how powerful and heart twisting this moment was. They died as warriors on the battlefield and their send-off was just as it should have been.

    The final scene of Sam, Dean and Bobby burning the group photo in memorial of Jo and Ellen was exceedingly potent. Dean and Sam have been systematically stripped of most everything in their lives – Bobby through his paralysis is still useful but not as a soldier on the frontline, Jo and Ellen, even their relationship (though it is being repaired).  “No friends, no hope. Take all that away and what’s left?” Though both major players are hedging their bets that these losses will force Sam and/or Dean’s hand into giving up their bodies as vessels, in the end I’m willing to bet it makes them stronger. So what’s left? Two incredibly motivated, pissed-off and determined Winchesters.

    This review is shorter than I thought it’d be, I’ll admit. But the truly significant moments of this episode can only be experienced by watching them. Abandon All Hope… ranks among my top ten, if not five, episodes of Supernatural. We’ve been left with a fairly substantial cliff-hanger and a remarkable jumping off point for episodes eleven through twenty-two. The pale rider himself has been brought forth, as yet, sight unseen. Castiel’s low-battery symbol is flashing. And Sam, Bobby and Dean have lost two very dear friends. The second half of season five is certainly gearing up to be one hell of a trip (no pun intended).
  • Elle's Review: "Supernatural" 8.17, "Goodbye Stranger"

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    It's been a while since my last SPN review here at the Winchester Family Business, and boy is it good to be back! So, without further ado let's talk about Goodbye Stranger. It was an odd mesh of characters, old and new themes and a good send off for some characters and mini-arcs even as it laid more key ground work for overall season storylines. 

  • Faith and Supernatural

    It's always disappointing to read casual, dismissive references to Supernatural as simply a fantasy genre show featuring two hunky brothers.  While that superficial description of the show is true on its face, it merely provides the framework for a profound exploration of a multitude of  bigger themes: loyalty, family, morality, self-sacrifice, free will and destiny, to name just a few. Indeed, this season culminated in an argument between the brothers about the sometimes blurry line between good and evil.

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    One recurring theme on Supernatural practically since its inception has been faith, both in the religious and secular sense.  Faith and religion are often intertwined, but the show has portrayed these two concepts very differently.
  • Fan Video of the Week: Reflections on Supernatural "Angel Heart"


    For this weeks video, I chose to go about it from a different angle. Inspired by The WFB article that focused on how demons have changedduring the run of the show, I decided to focus on angels as it fits the episode, the fan video I wanted to highlight and the new monster that was added to Supernatural mythology.
  • Fan Video of the Week: Supernatural Reflections "The Devil In the Details"

    I guess you could say we lost two characters in this episode. At least for now. So I chose two videos this week - one about Rowena and the other about Castiel.

  • Far Away Eyes' Deeper Look: Supernatural 10.18 "Book of the Damned"

    Just listen to the closing song for “Book of the Damned,” and its easy to see the lyrics illuminating so much of the episode's stories.
  • Five Things I Want To See Castiel Do

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    Here's a fun list that's been sitting in Jenna1987's archives since season five!  She thought it would be fun to share it now in its completed form, given the fun we've been having with Castiel/Misha this week.